News

The Irish Times praises Reichardt as the American "film-maker poet laureate," examining her new film, Night Moves, and tracing an uncommon career.

Exhibition tours at CCS Bard feature comedy, piracy, and laughter en masse. Current exhibitions are on view through September 21.

The Center for Curatorial Studies and the Human Rights Project are pleased to announce that Jeanne van Heeswijk, an artist based in the Netherlands, has been selected for the first Keith Haring Fellowship in Art and Activism at Bard College. Made possible through a five year-grant from the Keith Haring Foundation, the Keith Haring Fellowship is a cross-disciplinary, annual, visiting Fellowship for a scholar, activist, or artist to teach and conduct research at both the Center for Curatorial Studies and the Human Rights Project at Bard College.

Peter N. Miller considers the power of artifacts to conjure human history.

Bard alumna Lisa Oppenheim MFA '02 has made the short list for the Aimia | AGO Photography Prize. She and three other artists will compete for the $50,000 award.

This fall, The Richard B. Fisher Center for the Performing Arts at Bard College presents an extraordinary series of music, dance, art, and theater programs. The season features world-class musical performances, orchestral and chamber concerts, contemporary performance and art events, and innovative student productions from September through December.

Bard MFA faculty and alumna Amy Sillman '95 offers surprises and inspiration in new exhibition.

Works by Israeli artist and Bard graduate Orit Raff MFA '03 "transcend national identities, challenge assumptions and transport viewers." 

The National Alliance for Media Arts and Culture (NAMAC) has named Peggy Ahwesh, Bard College professor of film and electronic arts, as the winner of the 2014 NAMAC Artist Award. A faculty member at Bard since 1990, Ahwesh's expertise includes film production, feminist studies, and media advocacy. "Ultimately, Ahwesh has developed a practice that insists on political and social topicality, handled with theoretical and formal rigor, while remembering the audience," writes NAMAC’s board of directors in its award announcement. "It is her lighter touch that has helped make her work, densely critical as it is, so accessible to so many people." Professor Ahwesh will receive the award at NAMAC's State & Main conference in Philadelphia on August 8.

Bard College and the University of Witwatersrand collaborated on an innovative, interdisciplinary workshop on the arts and human rights at the Wits campus in Johannesburg, South Africa, August 5 to 7. A project of Bard and the Wits Institute for Social and Economic Research, the event featured presentations by curators, practicing artists, legal advocates, and social scientists. The workshop explored the intersections of human rights and the arts, aiming to foster an intellectual community across disciplines and institutions.

A midcareer retrospective of the work of photographer Anne Collier puts women with cameras front and center.

Acclaimed dancer and choreographer Bill T. Jones has received the National Medal of Arts from President Barack Obama.

Unknown: Pictures of Strangers, a new exhibition at Cleveland's Transformer Station, includes video by Bard photography faculty Tim Davis.

Bard's Euryanthe "marks a major historical milestone" with the first U.S. production in 100 years. Carl Maria von Weber's remarkable opera opens Friday.

The Center for Curatorial Studies at Bard presents "two magnificent but very different solo exhibitions," Amy Sillman: one lump or two and Anne Collier.

Bard College photography major turned couture model Louise Parker provides a unique look at quiet scenes backstage with her fellow models.

Bard writer in residence Teju Cole asked his 160,000 Twitter followers to tweet photos of their TVs during the World Cup. The result was an art project offering a synchronized global view of the games.

President Botstein's 20th season directing the American Symphony Orchestra featured "impressively conducted," "exhilarating," and "masterful" performances.

"Waterweavers ... is the most unassumingly beautiful show I’ve seen in New York this summer," writes Holland Cotter, and "you won't want to miss" Carrying Coca.

Bard alumna Gia Coppola '09 talks about making her first film, working with actor and author James Franco, and how professor Stephen Shore helped her get started.