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Division of the Arts

Photo by Chris Kayden

Division of the Arts

The Division of the Arts offers programs in architecture, art history and visual culture, dance, film and electronic arts, music, photography, studio arts, and theater and performance.

Theoretical understanding and practical skills alike are developed through production and performance in all disciplines. In the course of their program studies, students in the arts also develop aesthetic criteria that can be applied to other areas of learning.

  • Why the Arts at Bard?
    Students may undertake the arts for different reasons—as a path to a vocation or an avocation, or simply as a means of cultural enrichment. Working with a faculty adviser, the student plans a curriculum with their needs and goals in mind.
Arts Menu
  • Overview
  • Arts Calendar
  • Arts Faculty
  • Arts News

Our Programs

Programs in the Division of the Arts include:
  • Architecture
  • Art History and Visual Culture
  • Dance
  • Film and Electronic Arts
  • Music
  • Photography
  • Studio Arts
  • Theater and Performance
Division Chair: Julia Rosenbaum, Professor of Art History

Coursework and Requirements

As a student progresses to the Upper College, the coursework increasingly consists of smaller studio discussion groups and seminars in which active participation is expected. Advisory conferences, tutorials, and independent work prepare the student for the Senior Project. This yearlong independent project may be a critical or theoretical monograph, a collection of essays, or, for a large proportion of students, an artistic work, such as an exhibition of original paintings, sculpture, or photography; performances in dance, theater, or music; dance choreography or musical composition; or the making of a short film with sound. In designing their Senior Project topics, students may have reason to join their arts studies together with a complementary field or discipline, including programs or concentrations in other divisions. Plans for such integrated or interdivisional projects are normally created on an individual basis with the adviser.

Discover More

Live Arts Bard
Live Arts Bard
Photo by Paula Court

Live Arts Bard

“When I was a student at Bard, I was drawn to the Fisher Center because of Live Arts Bard. LAB is pushing the frontiers of these art forms, all of which are becoming more open and fluid.” —Sam Miller ’15

Live Arts Bard (LAB) is the interdisciplinary residency and commissioning program of Bard’s Fisher Center. Since its launch in 2012, Fisher Center LAB has supported residencies, workshops, and performances for hundreds of artists, incubating new projects and engaging audiences, students, faculty, and staff in the process of creating contemporary performances.
LAB at the Fisher Center →

Arts News and Events

Featured News

Bard Professor Sarah Hennies Receives Civitella Ranieri Music Fellowship

Bard Professor Sarah Hennies Receives Civitella Ranieri Music Fellowship

The fellowship takes place in a 15th century castle in the Umbrian region of Italy and will allow Hennies the free time and space to conduct her music work amidst an international cohort of other creatives.

Bard Professor Sarah Hennies Receives Civitella Ranieri Music Fellowship

Bard Professor Sarah Hennies Receives Civitella Ranieri Music Fellowship
Visiting Assistant Professor of Music Sarah Hennies. Photo by Kay Bell ’26
Sarah Hennies, assistant professor of music at Bard College, has been announced as a recipient of the Civitella Ranieri Music Fellowship, an international residency program for writers, composers, and visual artists. The fellowship, which occurs over the course of four to six weeks, takes place in a 15th century castle in the Umbrian region of Italy and will allow Hennies the free time and space to conduct her music work amidst an international cohort of other creatives. Hennies was selected as one of 25 awardees in the composers cohort through a highly competitive jury process from a pool of 119 candidates. Fellowship support includes travel, a private apartment and studio, and daily meals, allowing fellows to focus fully on their artistic practice. Fellows are encouraged to participate in excursions through the Umbrian countryside, take Italian classes, and give presentations about their work while at the castle. Hennies, whose fellowship was awarded for 2026-27, will defer her residency until 2028. 

The Music Program, one of the largest programs on Bard’s campus, provides a wide range of musical concentrations, from classical composition and performance to jazz, electronic music, musicology, ethnomusicology, and music theory.

Post Date: 02-16-2026

Recent News

  • D.M. Aderibigbe’s Collection 82nd Division Featured in Multiple Publications

    D.M. Aderibigbe’s Collection 82nd Division Featured in Multiple Publications

    D.M. Aderibigbe and his collection 82nd Division.
    Senior Fellow in Ethics and Writing D.M. Aderibigbe’s 82nd Division, which won the National Poetry Series in 2024, was published by Akashic Books on December 2, 2025. 82nd Division is a poetry collection named after the West African regiment that fought during World War I, and focuses on Nigeria, where Aderibigbe is from. Since its release, it has been reviewed by Literary Hub and received a starred review in Booklist.  “Both enchanting and sorrowful, Aderibigbe writes at the intersection of West Africa and ‘the West,’ plotting a vision that is both deeply historical and urgently contemporary,” Booklist writes.

    Aderibigbe was also interviewed by Frontier Poetry. “In my second collection, I was wholly invested in the formal elements of each poem,” he said. “It was important to me [that] the form of each poem adds some degree of complexity to it.” He will give a reading of the collection with Ann Lauterbach on January 29 at Oblong Books in Rhinebeck.

    Aderibigbe teaches in Bard’s Written Arts program, which encourages students to experiment with their writing in a context sensitive to intellectual, historical, and social realities. Students are encouraged to consider writing as an act of critical and creative engagement, a way of interrogating and translating the world.
    Read the Interview
    Booklist
    Lithub

    Post Date: 01-27-2026
  • Professor Franz Nicolay Reviews Burning Down the House, A New Book About the Talking Heads, for the Wall Street Journal

    Professor Franz Nicolay Reviews Burning Down the House, A New Book About the Talking Heads, for the Wall Street Journal

    Franz Nicolay.
    “To make a music scene you need four things,” writes Franz Nicolay, visiting instructor of music at Bard College: “cheap housing, recent art-school graduates, a stage where anyone can play, and a small clique of young critics eager to discover a new subculture.” The Talking Heads, the subject of Burning Down the House by Jonathan Gould, had all four. In a review of Gould’s book for the Wall Street Journal, Nicolay praises the work’s unwillingness to oversimplify, saying Gould is “especially interested in skewering the mythology of downtown.” While the book “remains a largely unflattering portrait of the band,” it tracks the “almost magical, barely explicable, transformation of a group” that, says Nicolay, “has to be a candidate in the perennial conversation about the greatest American rock band.”

    The Music Program provides a wide range of musical concentrations, from classical composition and performance to jazz, electronic music, musicology, ethnomusicology, and music theory. The music faculty all maintain highly visible careers outside academia, nationally and internationally.
    Read the full review in the Wall Street Journal

    Post Date: 01-27-2026
  • Professor Dinaw Mengestu Featured in Poughkeepsie Journal

    Professor Dinaw Mengestu Featured in Poughkeepsie Journal

    Dinaw Mengestu. Photo by Anne-Emmanuelle Robicquet
    The Poughkeepsie Journal interviewed John D. and Catherine T. MacArthur Professor of the Humanities Dinaw Mengestu about his 10 years at Bard, on the occasion of his selection as president of PEN America. Mengestu, who is also director of Bard’s Written Arts Program, was elected to the 104-year-old nonprofit for a two-year term. Mengestu says his work at Bard, particularly in its writing programs, “‘aligns’ with PEN's core values [of] uniting writers, being champions of the freedom to write, advocates on free expression challenges and campaigning on policy issues and on behalf of writers, as well as journalists, under threat.” Speaking more broadly about freedom of expression rights, Mengestu said "[reading and writing play a] critical role in creating the kind of culture and community and society we want to live in… When I think of the thing that I really want to uphold and protect most, it's literature."

    Dinaw Mengestu is the author of three novels, all of which were named New York Times Notable Books: All Our Names, How To Read the Air, and The Beautiful Things That Heaven Bears. He has taught in Bard’s Written Arts Program since 2016.

    The Written Arts Program at Bard encourages students to experiment with their writing in a context sensitive to intellectual, historical, and social realities. Students are encouraged to consider writing as an act of critical and creative engagement, a way of interrogating and translating the world.
    Read the Feature

    Post Date: 01-21-2026
  • Bard Professor Tania El Khoury Awarded 2026 Creative Capital Award

    Bard Professor Tania El Khoury Awarded 2026 Creative Capital Award

    Tania El Khoury, distinguished artist in residence, associate professor in theater and performance, and director of the Center for Human Rights and the Arts at Bard. 
    Tania El Khoury, distinguished artist in residence, associate professor in theater and performance, and director of the Center for Human Rights and the Arts at Bard College, has won a 2026 Creative Capital Award in support of her project, A Choreography of State Violence. Her project was amongst 49 new works chosen from a pool of 4,546 applications from all 50 states and regions in the United States. Creative Capital, a nonprofit organization dedicated to championing artistic freedom of expression by supporting individual artists across the United States, confers the award in recognition of original, ambitious project proposals for new artistic ideas, and supports artists by providing project funding of up to $50,000 each, professional development services, and community-building opportunities.

    El Khoury’s project, A Choreography of State Violence, is an installation performance that examines state violence from a choreographic perspective, exploring how what are perceived as incidental and individualized cases of violence perpetrated by the state are, in fact, conceptualized and rehearsed with calculated dramaturgy.

    “Creative Capital remains unwavering in our mission to support individual artists creating new work as a powerful catalyst for freedom of thought and freedom of expression in our democracy,” said Christine Kuan, president and executive director of Creative Capital. The Creative Capital Award will in 2026 support the creation of 49 new works in visual arts, film, dance, theater, music/jazz, and literature, as well as technology, multidisciplinary, and socially engaged forms in all disciplines.

    Tania El Khoury creates interactive and immersive installations and performances that reflect on the production of collective memory and the cultivation of solidarity. Her work is activated by tactile, auditory and visual traces collected and curated by the artist and her collaborators, and they are ultimately transformed through audience interaction. El Khoury’s work has been translated to multiple languages and shown in 35 countries across 6 continents in spaces ranging from museums to cable cars. She is the recipient of the Herb Alpert Award, the Soros Art Fellowship, the Bessies Outstanding Production Award, the International Live Art Prize, the Total Theatre Innovation Award, and the Arches Brick Award.

    Post Date: 01-16-2026
  • Bard Alumna Anne Bogart ’74 Inducted into the Theater Hall of Fame

    Bard Alumna Anne Bogart ’74 Inducted into the Theater Hall of Fame

    Anne Bogart ’74.
    American theater and opera director and cofounder of SITI Company Anne Bogart ’74 was inducted into the Theater Hall of Fame on November 17. In order to receive the award, the only nationally recognized hall of fame honoring lifetime achievement in the American theater, the awardee must have given 25 years distinguished service to the American theater and at least five major production credits on Broadway. Bogart, who studied drama and dance at Bard and received an honorary doctorate of fine arts from the College in 2014, teaches at Columbia University, where she is a professor and head of the directing concentration.

    In December 2022, Bard’s Fisher Center presented the world premiere of SITI Company’s reimagining of Charles Dickens’ A Christmas Carol, codirected by Anne Bogart and Tony Award winner Darron L West. The work, commissioned by the Fisher Center, was the final production in SITI Company’s 30th anniversary “Finale Season.” 

    Bard’s Theater and Performance Program offers an interdisciplinary, liberal arts-based approach to the making and study of theater and performance, and embraces a wide range of performance practices, from live art and interactive installation to classical theater from around the globe.
    Learn more about the event

    Post Date: 12-16-2025
  • Jack Ferver’s My Town Reviewed in the New York Times

    Jack Ferver’s My Town Reviewed in the New York Times

    Assistant Professor Jack Ferver.
    My Town, a semi-autobiographical show written by Bard Assistant Professor of Theater and Performance Jack Ferver, was reviewed in the New York Times. The play, a one-person retelling of Our Town by Thornton Wilder, follows a schoolteacher and interrogates rural American life through dance-theater. Gia Kourlas writes that My Town, which Ferver performed at NYU Skirball last week, is “purposefully enigmatic” and “a feat of constant storytelling and choreography.”

    Ferver discusses their inspirations for My Town, including industrialization, Martha Graham’s choreography, and the Wizard of Oz. They say the questions that animate Our Town, and by extension My Town, are, ‘How are you living? And are you really paying attention? Are you present?’”

    Bard’s Theater and Performance Program offers an interdisciplinary, liberal arts-based approach to the making and study of theater and performance, and embraces a wide range of performance practices, from live art and interactive installation to classical theater from around the globe.
    Read the Review

    Post Date: 11-25-2025

Upcoming Events

  • 3/06
    Friday
    7:30 pm – 8:30 pm EST/GMT-5
    Fisher Center, LUMA Theater

    2026 Senior Project Festival

    Friday, March 6, 2026 | 7:30 pm – 8:30 pm EST/GMT-5 | Fisher Center, LUMA Theater

    A weekend of performances created by the graduating seniors of Bard’s Theater & Performance Program.

    Phone: 845-758-7900
    E-mail: [email protected]
    Website: https://fishercenter.bard.edu/events/2026-senior-project-festival/
  • 3/07
    Saturday
    1:00 pm – 2:00 pm EST/GMT-5
    Fisher Center, LUMA Theater

    2026 Senior Project Festival

    Saturday, March 7, 2026 | 1:00 pm – 2:00 pm EST/GMT-5 | Fisher Center, LUMA Theater

    A weekend of performances created by the graduating seniors of Bard’s Theater & Performance Program.

    Phone: 845-758-7900
    E-mail: [email protected]
    Website: https://fishercenter.bard.edu/events/2026-senior-project-festival/
  • 3/07
    Saturday
    6:00 pm – 7:00 pm EST/GMT-5
    Fisher Center, LUMA Theater

    2026 Senior Project Festival

    Saturday, March 7, 2026 | 6:00 pm – 7:00 pm EST/GMT-5 | Fisher Center, LUMA Theater

    A weekend of performances created by the graduating seniors of Bard’s Theater & Performance Program.

    Phone: 845-758-7900
    E-mail: [email protected]
    Website: https://fishercenter.bard.edu/events/2026-senior-project-festival/
  • 3/09
    Monday
    7:00 pm – 8:30 pm EDT/GMT-4
    Bitó Conservatory Building, Performance Space
    Visit https://www.barduschinamusic.org/events/chinese-ensemble-spring-26

    Shutong Li Memorial Concert with the Bard Chinese Ensemble

    Monday, March 9, 2026 | 7:00 pm – 8:30 pm EDT/GMT-4 | Bitó Conservatory Building, Performance Space

    Jindong Cai, conductor

    The Bard Chinese Ensemble pays tribute to its beloved music director Shutong Li 李梳曈 '21 after his sudden passing in February. US-China Music Institute director Jindong Cai will conduct.
    Program details to follow. 
    FREE and open to the public.
    Contact: Kathryn Wright
    Phone: 845-758-7026
    E-mail: [email protected]
    Website: https://www.barduschinamusic.org/events/chinese-ensemble-spring-26
Bard College
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Annandale-on-Hudson, New York 12504-5000
Phone: 845-758-6822
Admission Email: [email protected]
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