Division of the Arts

Recent News

• Wiháŋble S’a Center at Bard College Receives Wagner Foundation Grant
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  Wiháŋble S’a Center at Bard College Receives Wagner Foundation Grant

  

  “Every Wonder in One Spot,” from the project Cosmologyscape by Kite and Alicia B Wormsley. Courtesy the artists and Creative Time
  

  The Wiháŋble S’a Center for Indigenous AI at Bard College has been announced as the recipient of a $93,000 grant from the Wagner Foundation, a nonprofit organization based in Boston. The grant will support the project “Cosmologyscape,” a multi-platform, socially engaged public art initiative co-lead by Wiháŋble S’a Center Director Dr. Suzanne Kite, distinguished artist in residence and assistant professor of American and Indigenous Studies at Bard, and artist and producer Alisha B. Wormsley MFA ’19.
  
  “Cosmologyscape” will launch its next chapter with an exhibition at Wagner in January 2026, and will include features such as Dream Mosaic tiles visualizing collective dreams installed along long gallery walls, a comfortable Dream Office space in which attendees can gather and rest, digital projections showcasing a localized “Boston Dreaming” webpage, and other installations. The project, which solicits dreams from the public that are translated into quilting patterns generated from 26 Black and Lakota symbols, aims to activate rest and dreaming as liberatory acts through sculpture, digital engagement, and community programming.
  
  “This grant affirms that dreaming is a vital, collective act—and that rest, vision, and story are the seeds of real change,” said Dr. Suzanne Kite, director of the Wiháŋble S’a Center. “With support from the Wagner Foundation, ‘Cosmologyscape’ can continue unfolding as a cosmic quilt—each dream a thread, weaving together Black and Indigenous futures across time, land, and memory.”
  
  The Wagner Foundation was established in Boston in 2005, and over time has expanded its local focus to include grants and support in national and international settings. The foundation seeks to confront the social and historical disparities that perpetuate injustice by partnering with organizations aligned with this goal to serve as both advocates for change and convening thought leaders. It focuses on health equity and economic prosperity, balanced by a holistic approach which aims to develop and strengthen equitable systems throughout the world.
  
  Post Date: 07-01-2025
  
• Coralie Kraft ’13 Interviewed by PBS News About Doomsday Preppers
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  Coralie Kraft ’13 Interviewed by PBS News About Doomsday Preppers

  

  Bard college alumna Coralie Kraft ’13.
  

  Coralie Kraft ’13, visual editor, writer, and Bard College alumna, was interviewed by PBS News about her New York Times Magazine article “The ‘Panic Industry’ Boom,” for which she was also the contributing photo editor. The article and photo essay explored how some Americans are increasingly spending vast amounts of money prepping for doomsday scenarios by building bunkers, bomb shelters, gun rooms, panic rooms and other means of surviving through a collapse. In conversation with Ali Rogin, Kraft discussed her thoughts on why more people are preparing for disasters, the companies that build the structures meant to safeguard their clients, and the mindsets behind those who are preparing for such scenarios. “I think that as more and more people are impacted by things like pandemics, by civil unrest and demonstrations and activism in their cities, by financial collapse as those factors hit a wider and wider population, it makes sense to me that more of us would be interested in this type of, ‘what can I do in the event of a disaster scenario or a doomsday scenario,’” Kraft told PBS.
  

  Watch the Full Interview with PBS
  

  Read Coralie Kraft's Original Article in the New York Times Magazine
  

  
  Post Date: 06-20-2025
  
• Mara Baldwin Awarded Summer 2025 Artist Residency by the McColl Center
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  Mara Baldwin Awarded Summer 2025 Artist Residency by the McColl Center

  

  Mara Baldwin, visiting artist in residence in Studio Arts at Bard.
  

  Mara Baldwin, visiting artist in residence in Studio Arts at Bard, has been awarded a Summer 2025 Artist in Residency by the McColl Center through its Parent and Educator Artist in Residency Program. The internationally acclaimed program by McColl Center, based in Charlotte, North Carolina, aims to serve as a catalyst for artistic growth among creators, and residents are encouraged to immerse themselves fully in research, exploration, and creation, while also engaging with McColl Center’s community and Charlotte’s local creative sector. Baldwin’s multidisciplinary and research-based work uses textiles and drawings to create serial and narrative forms, and focuses on the impossible dream of utopia. While in residency, which takes place from June 3 to August 11, Baldwin joins three other artists, each of whom will construct immersive, hybrid worlds that reflect layered identities and complex truths using diverse practices spanning sculpture, sound, performance, and installation. Baldwin will receive a $6,000 stipend and have access to a private studio space, shared labs and facilities, including a 3D printer Lab, a ceramics and sculpture studio, a darkroom, a media lab, and a woodshop, along with curatorial guidance and marketing support.
  
  Post Date: 06-20-2025
  
• Richard Aldous Reviews Walter Lippmann: An Intellectual Biography for the Wall Street Journal
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  Richard Aldous Reviews Walter Lippmann: An Intellectual Biography for the Wall Street Journal

  

  Professor of History Richard Aldous.
  

  Professor of History Richard Aldous published a review in the Wall Street Journal of Tom Arnold-Forster’s biography of Walter Lippmann, a twentieth-century journalist. Walter Lippmann: An Intellectual Biography follows Lippmann’s career as one of the most ubiquitous journalists of his era who wrote several books of democratic theory. Aldous evaluates Arnold-Forster’s biography as a good first book and a “fair hearing,” rather than a defense, for its subject. Despite being less well-known today than some of his contemporaries, Lippmann was significant because of his “arresting, often contradictory ideas [that shaped] the national debate,” argues Aldous. He says Lippman passed the litmus test “for all public intellectuals— to illuminate their own time and make us think about ours.”
  

  Read the Review
  

  
  Post Date: 06-20-2025
  
• Henry Mielarczyk ’25 Joins Stennis Program for Congressional Interns
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  Henry Mielarczyk ’25 Joins Stennis Program for Congressional Interns

  

  Henry Mielarczyk ’25.
  

  Bard alumnus Henry Mielarczyk ’25, a philosophy and music performance major, has been accepted into the 2025 Stennis Program for Congressional Interns. The internship, given by the Stennis Center for Public Service in Washington, DC, is a competitive bipartisan program designed to provide congressional interns with an opportunity to better understand the role of Congress as an institution and its role in the democracy of the United States. Interns will connect with current and former senior congressional staff through a series of discussion sessions designed to provide an in-depth look at Congress and its operations with other institutions. The Stennis Center is a bipartisan legislative branch agency created by Congress in 1988 to promote and strengthen the highest ideals of public service in the United States. The center aims to develop and deliver a portfolio of unique programs for young people, leaders in local, state, and federal government, and congressional staff.
  
  Post Date: 06-18-2025
  
• For the Washington Post, Francine Prose Reflects on Mrs. Dalloway
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  For the Washington Post, Francine Prose Reflects on Mrs. Dalloway

  

  Francine Prose. Photo by Christine Jean Chambers
  

  To celebrate the centennial of the publication of Mrs. Dalloway, Distinguished Writer in Residence Francine Prose wrote a retrospective on Virginia Woolf’s most famous work for the Washington Post. Mrs. Dalloway, which follows a woman over a single June day, turns 100 this week. Prose writes that her recent re-read impressed her because of Woolf’s “grace and skill” that “made the [writing] process look easy.” Discussing what makes the novel special a century later, she says it celebrates humanity while not ignoring the suffering of life: “Woolf’s subject is not just Clarissa Dalloway’s life but life itself, the wonder of human consciousness and what it means — what it feels like — to be a human being.”
  
  Prose is the author of 22 works of fiction and has taught at Bard since 2005.
  

  Read the Article
  

  
  Post Date: 06-10-2025