News

Visiting Artist in Residence Geoff Sobelle's play, The Object Lesson, is a New York Times Critics' Pick.

Bard College is proud to announce a substantial donation from the LUMA Foundation. The donation, to support Bard’s programs across the curriculum, will be recognized with the naming of the LUMA Theater at Bard’s Richard B. Fisher Center for the Performing Arts, designed by Frank Gehry, in a ceremony at the Center on November 7. The naming of the LUMA Theater will also be celebrated with a special performance of a new music/theater work developed by composer, writer, and performer Amanda Palmer, in collaboration with current and former Bard students, coproduced with Live Arts Bard.

Chronogram interviews musician, writer, and performer Amanda Palmer ahead of this weekend's sold out production of The Bed Show, a collaboration with Bard students and alumni/ae.

Lisa Oppenheim is the recipient of the prestigious Aimia | AGO Photography Prize which carries a $50,000 CAD prize in addition to a six-week, fully funded residency.

Twenty-five years after the fall of the Berlin Wall, Bard College Berlin coorganized a major public conference on Germany’s most important postwar dramatist, Heiner Müller (1929–1995). The event, held October 3 to 5, brought together political thinkers, critics, scholars, actors, and directors to explore the significance of Heiner Müller for the theater, politics, and literature of our own century. During the conference Bard students from Annandale and Berlin had a chance to meet some of Germany’s most prominent thought leaders.

Twenty-five years after the fall of the Berlin Wall, Bard College Berlin coorganized a major public conference on Germany’s most important postwar dramatist, Heiner Müller (1929–1995). At the time of his death, Müller was one of the most influential cultural figures in Germany, serving as president of the newly unified German Academy of Arts and as codirector of the famed Berliner Ensemble (the theater Bertolt Brecht had founded in East Berlin some 50 years before). 

The conference, held October 3 to 5, took place partly in the former West German Academy of Arts in Berlin’s Tiergarten and partly in the Academy’s historical seat in the former East Berlin, next to the Brandenburg Gate. The event was featured in newspapers and magazines throughout Germany. 

Heiner Müller (c) Lothar Deus

During the conference Bard students from Annandale and Berlin had a chance to meet, listen and talk to some of Germany’s most prominent theater-makers, intellectuals, and political thinkers. Presenters included Gregor Gysi, leader of the opposition in the German parliament (Bundestag); Thomas Martin, chief dramaturg of Berlin’s celebrated Volksbühne theater; Wolfgang Engler, president of the country’s preeminent theater school; Ivica Buljan, head of the Zagreb International Theatre Festival; and many others. Scholars and theater critics from the United States such as Jonathan Kalb (Hunter College, CUNY) also participated. In a particularly popular format called “table talks,” long-time collaborators and friends of the playwright, such as the actor Hermann Beyer and the director B. K. Tragelehn, immersed themselves in informal conversations with conference guests. 

Fifteen Bard students from the Berlin and Annandale campuses worked on different aspects of the conference, ranging from the preparation of publicity material to information technology and audio support, video documentation, catering, and much more.    

Jens Reich, a leader of the civil resistance to the East German regime and former candidate for president of Germany, who is also a molecular biologist and a member of the faculty and board of Bard College Berlin, led a discussion with Gregor Gysi and the eminent Germanist Jost Hermand (University of Wisconsin, Madison) on the future of left politics in Germany. In their conversation, Reich and Gysi recalled the experience of addressing, alongside Heiner Müller and just five days before the fall of the Wall, the largest demonstration East Berlin had ever seen.

David Levine, professor of art at Bard College Berlin and an OBIE Award–winning director and installation artist, spoke about his 2007 performance piece that drew on a character from one of Müller’s early plays to reflect on the work of the actor. Literary translator and Bard Vice President for Special Global Initiatives Susan H. Gillespie discussed her current work on Müller’s late poetry. 

The conference was organized by Florian Becker, associate professor of German at Bard College and director of Bard programs in Berlin, together with Janine Ludwig and Anja Quickert, his colleagues on the board of the International Heiner Müller Society. It was funded by a competitive grant from the German Ministry of Economics and Energy (BMWi) and received supplementary support from several other cultural foundations and educational institutions, including Bard College Berlin.

View photos from the conference here.

Life, death, colonialism, and cultural blending ... Professor Susan Aberth talks about the Dia de los Muertos tradition in Mexico.

Opus 40, the 6 1/2 acre outdoor sculpture created by Bard alumnus and faculty member Harvey Fite, has been named to the prestigious 2014 list of endangered landscapes by The Cultural Landscape Foundation.

Bard MFA sculpture faculty Nancy Shaver is the first-ever recipient of the Art as Media Award presented by the National Women’s Political Caucus (NWPC) as part of the Exceptional Merit Media Awards (EMMAs). The EMMAs were created by the NWPC in 1986 to honor and reward journalists and media outlets in radio, television, print and the Internet that inform and educate the public about critical issues that impact women’s lives. The 2014 EMMAs were presented on the evening of October 27 at The Metropolitan Club of New York City. Previous recipients include Ellen Goodman, Cokie Roberts, Barbara Ehrenreich and Diane Sawyer. Cochairs for this year’s awards were Senator Kirsten Gillibrand and Congresswoman Carolyn Maloney. Nancy Shaver's work has been shown extensively in the United States and abroad in both solo and group exhibitions. She has also been the recipient of a Pollock-Krasner Foundation grant and fellowships from Yaddo and the MacDowell Colony.

The Center for Curatorial Studies at Bard College presents two new exhibitions on view from November 6 to December 19. Spectres is an ongoing project of Belgian artist Sven Augustijnen, which revisits one of the most shameful events of European colonial history: the abduction, torture, and execution of Patrice Lumumba, the first elected Prime Minister of independent Congo. Hotel Palenque Is Not in Yucatán is a multilayered exhibition and architectural intervention curated by Montserrat Albores Gleason as the culmination of a three-year curatorial fellowship at CCS Bard supported by the Jumex Foundation. Organized as part of an international curatorial conference to be held at CCS Bard from November 6 to 9, Hotel Palenque Is Not in Yucatán takes its starting point from the narrative in Robert Smithson’s famous Hotel Palenque (1969-72), a slide projection taken from a lecture originally delivered by the artist at the University of Utah. Learn more about Spectres and Hotel Palenque Is Not in Yucatán.

"For 'Events Ashore,' Lê utilized color for the first time, photographing American military installations, training expeditions, and research missions in more than twenty countries ..."

Professor Buruma considers Chewing Gum and Chocolate: Photographs by Shomei Tomatsu in light of Japanese Prime Minister Abe Shinzo's vow to “take back Japan.”

The Metropolitan Opera's production of The Death of Klinghoffer has been met with public protest amid allegations of anti-Semitism. Professor Mead considers it from another angle.

CCS Bard faculty and students will give public presentations of their research at the home and studio of artist Donald Judd in New York City.

Stunning photography by Laura Steele and Pete Mauney '93 MFA '00 appears in issue 10.

This major international symposium, entitled The Future Curatorial What Not and Study What? Conundrum, will take place at the Center for Curatorial Studies at Bard College, November 6–9, 2014. Given the extraordinary expansion of curatorial research and its surrounding debates, the focus of this international conference, organized collaboratively by four of the world’s most prominent curatorial programs, asks not “what is next” but rather the more urgent and durable question of “what futures?”

This new exhibition at the Bard Graduate Center illuminates the city's rich cultural and economic history through a collection of woodcuts, aquatints, lithographs and photographs.

In 1965, as an upcoming, 18-year-old photographer in New York City, Stephen Shore demystified Andy Warhol's Factory with his unassuming black-and-white images.

From performing in a country band at Bard to acting and creating a film of her own, Lola Kirke '12 is making her way as an artist.

Los Angeles-based painter Mary Weatherford MFA '06 has won the Artists' Legacy Foundation 2014 Artist Award and will receive a $25,000 cash prize.