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Professor Battle was commissioned to paint "How long is your past, how far is your future." At 16-feet wide by 5-feet tall, the oil and mixed media piece is her largest yet.

Schapiro speaks about the Bowie photo shoot that would produce some of the most iconic album art and magazine images of the 1970s, now collected in his new book, Bowie.

Professor of Studio Arts Laura Battle has created a site-specific, sixteen-foot painting, structured on the spiral galaxy, for Vassar College's Touch the Sky exhibition. Curated by Mary-Kay Lombino at the Frances Lehman Loeb Art Center, the exhibition celebrates astronomy as seen through the eyes of 18 artists. Works on view include artist books, prints, drawings, paintings, photography, and film. The opening lecture and reception will take place on Friday, April 29, at 5:30 p.m., and the exhibition will be open through August 21.
 

After his recent project in Ukraine, Photography Program Director Stephen Shore gives advice on how to see light, structure a photograph, and create images with subtle emotional power.

On view through April 18, "Photographs of Educated Youth: Images of the Chinese Youth Sent to the Countryside during the Cultural Revolution 1966–1976," photography of Tang Desheng, is curated by Patricia Karetzky, who holds the Oskar Munsterberg Chair of Asian Art. The show comprises 25 photographs of the Cultural Revolution in China from the perspective of the young people sent to the countryside. The photographer, Tang Desheng, who was a youth during that time, embedded himself in the movement and traveled throughout China for 10 years documenting the lives of displaced youth. The Bard Art History Program, Asian Studies Program, Hannah Arendt Center, and Human Rights Program are sponsoring the exhibition.

"How do we know when a photographer caters to life and not to some previous prejudice?" Cole challenges the viewer to take a critical look at the iconic photography of Steve McCurry.

Beginning on April 3, The Center for Curatorial Studies at Bard College (CCS Bard) presents 18 exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art with 17 individual exhibitions curated by each student, along with a student-curated Marieluise Hessel Collection show.

Artistic Director Fionn Meade CCS '09 called de Bellis and fellow new hire Adrienne Edwards "two of the most exciting and dynamic curators in contemporary interdisciplinary practice."

"The tattered history of the Ojibway people of Michigan’s Upper Peninsula is redeemed through punk-rock humor" in Adam and Zack Khalil's INAATE/SE/.

Bard's Judy Pfaff is the 2016 Grossman Artist-in-Residence at Lafayette College. Visitors walk around, into, and through her installation, which fills 1,100 square feet of gallery space.

Virginia Hanusik's photography project focuses on coastal land loss in Louisiana, which relates to work she began during her sophomore year at Bard.

Professor Kitnick writes the cover piece on Cameron Rowland's exhibition at Artists Space in New York City for the current issue of Artforum.

Ben Coonley MFA '03, assistant professor of film and electronic arts, exhibits a series of 3D video installations at the Microscope Gallery in Brooklyn.

This summer's Bard Music Festival will explore how Puccini became one of the most successful opera composers of all time despite often being critically underrated. (New York Times)

Bard College has received a $500,000 grant from New York State’s Higher Education Capital Matching Grant Program that will be used to support the renovation of the Center for Curatorial Studies at Bard College (CCS Bard). CCS Bard and Hessel Museum of Art are expanding its facility to create a new Visible Collections Storage and Living Archive where work from its Contemporary Art Collection can be placed on permanent public view. New and repurposed classrooms, study, and meeting spaces will allow the rich resources of CCS Bard to be more accessible for students, researchers, and visitors, as well as increase its capability for hosting public receptions, lectures and screenings. This project will transform the way the public and visiting scholars can view the collection.

Cekala found beauty in the salt used to keep Boston roads safe. Her curiosity has led to an exhibition of photography and video, now on view for the second time in the city.

The How Institutions Think symposium will focus on different concepts of institution and forms of institutional practice. The event takes place February 24 – 27, 2016, in Arles, France. This symposium addresses the contemporary possibilities and limitations of institutional formats, practices, and imaginaries, but starts from a different place, namely from categories of knowledge, cognition, and the social. This symposium brings together an international and multidisciplinary group of speakers who are invited to reflect upon how institutional practices inform art, curatorial, educational, and research practices as much as they shape the world around us.

Caitlin Keogh is now being represented by Chelsea gallery Bortolami. Her work can be found in the well-received group exhibition “Flatlands” at the Whitney Museum of Art.

From her breakthrough as one of two female filmmakers at Sundance in 1994, Bard's Kelly Reichardt received Variety’s 2016 Indie Impact Award at this year's festival.

Partnering with Bard’s Dance Program is one way the Trisha Brown Dance Company continues the work of the renowned choreographer in performance and education.