News

The Center for Curatorial Studies, Bard College (CCS Bard) and the Human Rights Project at Bard College have announced that Sandi Hilal and Alessandro Petti, architects and critics based in Beit Sahour, Palestinian Territories, have been selected as the third recipients of the Keith Haring Fellowship in Art and Activism.

Saxophonist and sound artist Matana Roberts has received a 2016 Doris Duke Artist Award, which carries an unrestricted grant of $275,000.

Tom Eccles, executive director of Bard's Center for Curatorial Studies, is one of five curators behind last week's prestigious Frieze New York art fair on Randall's Island.

Distinguished Writer in Residence Teju Cole reflects on the ethical implications of displaying found photographs of African Americans in the age of digital photo tagging.

Associate Professor Aaron Glass's Getty Award will support a three-month residency at the Getty Research Institute in Los Angeles.

Professor Romm considers the immense, plundered wealth on display at the Metropolitan Museum of Art’s “Pergamon and the Hellenistic Kingdoms of the Ancient World” exhibition.

Professor Battle was commissioned to paint "How long is your past, how far is your future." At 16-feet wide by 5-feet tall, the oil and mixed media piece is her largest yet.

Schapiro speaks about the Bowie photo shoot that would produce some of the most iconic album art and magazine images of the 1970s, now collected in his new book, Bowie.

Professor of Studio Arts Laura Battle has created a site-specific, sixteen-foot painting, structured on the spiral galaxy, for Vassar College's Touch the Sky exhibition. Curated by Mary-Kay Lombino at the Frances Lehman Loeb Art Center, the exhibition celebrates astronomy as seen through the eyes of 18 artists. Works on view include artist books, prints, drawings, paintings, photography, and film. The opening lecture and reception will take place on Friday, April 29, at 5:30 p.m., and the exhibition will be open through August 21.
 

After his recent project in Ukraine, Photography Program Director Stephen Shore gives advice on how to see light, structure a photograph, and create images with subtle emotional power.

On view through April 18, "Photographs of Educated Youth: Images of the Chinese Youth Sent to the Countryside during the Cultural Revolution 1966–1976," photography of Tang Desheng, is curated by Patricia Karetzky, who holds the Oskar Munsterberg Chair of Asian Art. The show comprises 25 photographs of the Cultural Revolution in China from the perspective of the young people sent to the countryside. The photographer, Tang Desheng, who was a youth during that time, embedded himself in the movement and traveled throughout China for 10 years documenting the lives of displaced youth. The Bard Art History Program, Asian Studies Program, Hannah Arendt Center, and Human Rights Program are sponsoring the exhibition.

"How do we know when a photographer caters to life and not to some previous prejudice?" Cole challenges the viewer to take a critical look at the iconic photography of Steve McCurry.

Beginning on April 3, The Center for Curatorial Studies at Bard College (CCS Bard) presents 18 exhibitions and projects curated by second-year students in its graduate program in curatorial studies and contemporary art with 17 individual exhibitions curated by each student, along with a student-curated Marieluise Hessel Collection show.

Artistic Director Fionn Meade CCS '09 called de Bellis and fellow new hire Adrienne Edwards "two of the most exciting and dynamic curators in contemporary interdisciplinary practice."

"The tattered history of the Ojibway people of Michigan’s Upper Peninsula is redeemed through punk-rock humor" in Adam and Zack Khalil's INAATE/SE/.

Bard's Judy Pfaff is the 2016 Grossman Artist-in-Residence at Lafayette College. Visitors walk around, into, and through her installation, which fills 1,100 square feet of gallery space.

Virginia Hanusik's photography project focuses on coastal land loss in Louisiana, which relates to work she began during her sophomore year at Bard.

Professor Kitnick writes the cover piece on Cameron Rowland's exhibition at Artists Space in New York City for the current issue of Artforum.

Ben Coonley MFA '03, assistant professor of film and electronic arts, exhibits a series of 3D video installations at the Microscope Gallery in Brooklyn.

This summer's Bard Music Festival will explore how Puccini became one of the most successful opera composers of all time despite often being critically underrated. (New York Times)