News

The US-China Music Institute of the Bard College Conservatory of Music will present the Harmony and Power conference and concert series on March 30–31 on the Bard College campus.

With its double-height space and glass end walls, Bard College’s new media lab is not your standard prefab container building.

Bard College Visiting Professor and Studio Arts Program Director Ellen Driscoll has been awarded the ISC’s prestigious Outstanding Educator Award for 2018.

Sohrab Mohebbi, a graduate of the Bard Center for Curatorial Studies, will join SculptureCenter as head curator in April.

The artist Celeste Dupuy-Spencer interprets what’s happening on Page 76 of newly published or upcoming titles.

Designer Paris Starn’s debut collection draws inspiration from her great-grandmother’s aprons.

“We can’t not show artists because we don’t agree with them morally; we’d have fairly bare walls. It’s about addition—bringing new voices in.”

The Freehand New York, which features commissioned works by students and alumni/ae of the Bard Studio Arts and MFA Programs, will offer artists’ residencies in partnership with LAB beginning later this year. 

Critic Vanessa Thill traces the evolution of the CCS program from its founding in 1990 to today.

"An immersive and staggeringly charming retrospective of the photographer’s work showcases his easeful acceptance of the world," writes Peter Schjeldahl.

Professor Sante includes Professor Stephen Shore's Selected Works 1973-1981, which contains photos chosen by Bard faculty An-My Lê and Francine Prose.

Forbes highlights the "New York Takeover" of the Freehand Hotel on December 8 with art installations from Bard College art students.

Curator and art dealer Cros is one of five young women who will make the art world go round in 2018, according to W magazine.

Professor Shore discusses his retrospective at MoMA, how he passed the time driving for his road trip series, and how teaching Bard students broadened his perspective.

The Sundance Art of Nonfiction Fund will support the Khalil brothers' new film, Untitled Norval Morrisseau Project.

Stephen Shore has embraced digital photography, but he still counsels those who are just starting their careers, like his students at Bard, to start in the darkroom.

The Center for Curatorial Studies, Bard College (CCS Bard) is pleased to announce that Lia Gangitano is the recipient of the 2018 Audrey Irmas Award for Curatorial Excellence. The award will be presented at a gala celebration and dinner on Monday, April 9, 2018 at 6:30pm in New York City. Tom Eccles, Executive Director of CCS Bard states: "Lia Gangitano is a curatorial pioneer presenting artists and artwork that have often been marginalized. Looking back over more than three decades of exhibitions and curatorial projects, we are delighted to celebrate the significant contribution Lia has made to the cultural life of New York City.

Artist Anna Sew Hoy will be the first Martha Longenecker Roth Distinguished Artist in Residence, noted for "expanding the field of art, celebrating material and craft, and engaging with students and the public."

CCS Bard director Tom Eccles and fellow curators create a portrait of Turin, Italy, by juxtaposing modern art with ancient pieces from the city's Egyptian Museum in Like a Moth to a Flame.

The Museum of Modern Art will exhibit photographs spanning Stephen Shore's entire career. This is the first survey in New York of this magnitude, and will be on view November 19 – May 28, 2018. Over the last five decades, Professor Shore has "conducted a continual, restless interrogation of image making, from the gelatin silver prints he made as a teenager to his current engagement with digital platforms." He is "One of the most significant photographers of our time."