News

Sunday night was a big one for Bard at the Tonys. Oklahoma!, which started its revival at Bard SummerScape in 2015 and has roots in a 2007 student staging, won best musical revival. This marks the first competitive Tony win for the Rodgers and Hammerstein classic. Ali Stroker won best featured actress in a musical, and became the first wheelchair user to win a Tony. “This award is for every kid who is watching tonight who has a disability, who has a limitation or a challenge, who has been waiting to see themselves represented in this arena,” Ms. Stroker said. “You are.”

Read more in the New York Times.
 

Bard MFA alumnus Fitz Patton won the 2019 Tony Award for Best Sound Design of a Play for Choir Boy.

BARD x HGG
Curated by Stephen Shore
June 20 – August 29, 2019

Photographs by Recent Bard College Graduates Paired With Work by Dave Heath, Frederick Sommer, Ralph Eugene Meatyard, Lisette Model, Joseph Sudek, Minor White

New York—Last winter the legendary photographer Stephen Shore received an unusual request from Howard Greenberg Gallery: Would he be interested in curating an exhibition that included his students from the renowned photography program at Bard College? The answer was, “yes,” and the resulting collaboration, Bard x HGG, pairs work by seven of Shore’s recent graduates with photographs by historic 20^th century artists from the Gallery’s vast archives. The exhibition will be on view at Howard Greenberg Gallery from June 20 through August 29, 2019. An opening reception will be held on Thursday, June 20, from 6:00-8:00 p.m.

“Stephen Shore is a bridge connecting contemporary photography with the history of photography,” said Howard Greenberg. “As a contemporary figure and an important part of photo history, he is in a unique position to be able to connect a new generation of photographers and viewers.”

“I think of myself as both a photographer and a teacher and am delighted to have this opportunity to show my student’s work,” said Stephen Shore, Program Director & Susan Weber Professor in the Arts at Bard College. “Each of the recent graduates (from 2017 and 2018) is represented by a series of pictures so you can get a sense of their thought process and artistic practice.”

Works by the Bard graduates—Jasmine Clarke, Madison Emond, Briauna Falk, Vanessa Kotovich, Jackson Siegal, Naomi Zahler, and Ying Jing Zheng—are paired with photographs by Dave Heath, Ralph Eugene Meatyard, Lisette Model, Frederick Sommer, Stephen Shore, Joseph Sudek, and Minor White from Howard Greenberg Gallery’s extensive holdings.

Shore noted that the pairings vary from artist to artist, often highlighting an aspect of the recent graduate’s work. For the work by artists from the Gallery, Shore selected images by many photographers with whom he has personal connections: “David Heath was a friend to me when I was 14 and taught me about printing, and I was in a 10-day workshop run by Minor White when I was at the Hotchkiss School in Connecticut.”

Providing a gateway to the exhibition, work by Don Donaghy will be presented within the context of Bard x HGG. “While going through the Gallery’s archive, I came across Donaghy’s work and thought it would be wonderful to show,” said Shore. “His work was considered cutting edge in the 1960s. Yet, his photographs disappeared from public view despite the important role they played in the development of contemporary photography.”

About Stephen Shore
Stephen Shore's work has been widely published and exhibited for the past 45 years. He was the first living photographer to have a solo show at the Metropolitan Museum of Art in New York since Alfred Stieglitz, 40 years earlier. He has also had solo shows at George Eastman House, Rochester; Kunsthalle, Dusseldorf; Hammer Museum, Los Angeles; Jeu de Paume, Paris; and Art Institute of Chicago. In 2017, the Museum of Modern Art opened a major retrospective spanning Stephen Shore's entire career. He has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts. His series of exhibitions at Light Gallery in New York in the early 1970s sparked new interest in color photography and in the use of the view camera for documentary work. More than 25 books of Shore’s photographs have been published. His work is represented by 303 Gallery, New York; and Sprüth Magers, London, Berlin, and Los Angeles, where his work will be on view from June 19–August 30, 2019. Since 1982 he has been the director of the Photography Program at Bard College, Annandale-on-Hudson, NY, where he is the Susan Weber Professor in the Arts.

About the Photography Program at Bard College
Bard College’s Photography Program, led by Program Director Stephen Shore, is widely recognized as having one of the strongest faculties in the country. It is noted for its traditional grounding in photographic techniques, and the range of aesthetic approaches of its students. Bard College, a four-year residential college of the liberal arts and sciences, is located 90 miles north of New York City on nearly 1,000 parklike acres in the Hudson River Valley. It offers bachelor of arts, bachelor of science, and bachelor of music degrees, with majors in nearly 40 academic programs; graduate degrees in 11 programs; nine early colleges; and numerous dual-degree programs nationally and internationally. Building on its 159-year history as a competitive and innovative undergraduate institution, Bard College has expanded its mission as a private institution acting in the public interest across the country and around the world. The undergraduate program at the main campus in upstate New York has a reputation for scholarly excellence, a focus on the arts, and civic engagement.

About Howard Greenberg Gallery
Since its inception over 35 years ago, Howard Greenberg Gallery has built a vast and ever-changing collection of some of the most important photographs in the medium. The Gallery's collection acts as a living history of photography, offering genres and styles from Pictorialism to Modernism, in addition to contemporary photography and images conceived for industry, advertising, and fashion. Howard Greenberg Gallery is located at 41 East 57th Street, Suite 1406, New York. The gallery exhibits at The ADAA Art Show, The Armory Show, The Photography Show presented by AIPAD, Photo London, Art Basel, Paris Photo, and Art Basel Miami Beach. For more information, contact 212-334-0010, [email protected] or visit www.howardgreenberg.com.

Sara Berman was 60 when she moved to New York with just one suitcase to start a new life. Berman's daughter, Maira Kalman, and grandson, Alex Kalman ’07, tell her story in a new book and museum exhibition.

The rising artist discusses her process and inspirations as she prepares for an upcoming three-person show at MoMA PS1.

Ali Stroker, who plays Ado Annie in the Broadway revival, won the award for outstanding featured actress in a musical, and composer Daniel Kluger was recognized for outstanding orchestration.

Acquanetta, which originally premiered at the 2018 PROTOTYPE Festival, comes to Bard in the same unmissable production by Daniel Fish, whose previous SummerScape staging (a revelatory take on Oklahoma!) is currently “the coolest new show on Broadway” (New York Times).

Fang, who will join the Conservatory faculty in fall 2019, performed Bartók’s Viola Concerto with the Slovak Radio Symphony Orchestra to win the €20,000 first prize.

The Independent Filmmaker Project’s Filmmaker Labs support first-time feature filmmakers through postproduction and distribution of their debut features.

Tamowitz, who is known for her abstract treatment of classical and contemporary ideas about movement, was recognized for “her unwavering commitment to her uncompromising artistic vision, rigorous sense of craft and composition, and for beginning again with each new work.”

Yarden, video designer for the Tony-nominated play Network, crafted the long, unbroken tracking shot of a scene performed live outside the theater and broadcast to the audience inside, in real time. Mystery solved.

Leung, who studied under Ess at Bard, talks to the photographer about her solo exhibition Someone to Watch Over Me, which investigates the aesthetics of surveillance at home and on the U.S.-Mexico border.

The Bard Graduate Center will receive a grant of $30,000 from the National Endowment for the Arts to support the upcoming exhibition and catalogue Eileen Gray: Designer-Architect, opening in spring 2020.

The BLO’s new staging reveals The Handmaid’s Tale to be “a brilliant, brutal opera, one that should be taken up widely,” says the Times.

The writer talks about his debut short fiction collection, which channels the same caustic humor and heartrending dialogue as his Netflix series.

Bard Fisher Center presents comedian, actor, and former host of The Late Late Show Craig Ferguson, with his new, irreverent memoir Riding the Elephant: A Memoir of Altercations, Humiliations, Hallucinations, and Observations. Ferguson will appear in conversation with WAMC bureau chief and host of 51% Allison Dunne.

Professor Aldous reviews Richard J. Evans’s biography of the the popular Marxist historian, who had “a vivid style, a superiority complex, and the blind spots of a true believer.”

Swartz talks to curator Mathilde Walker-Billaud about voice, intimacy, and the physicality of sound.

The Bard Conservatory Orchestra, conducted by Leon Botstein, will perform Gustav Mahler’s Symphony No. 3 in the Sosnoff Theater on May 10 and 12. The performances feature mezzo-soprano Eve Gigliotti, the Bard College Chamber Singers, Bard Festival Chorale, and Bard Preparatory Division Chorus.

The actor and Bard alum on his critically acclaimed performance, violence in America, and the politics of the hottest revival on Broadway.