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A professional black and white photo of Assistant Professor of Performing Arts Jack Ferver.

Exhibition Curated By Professor Jack Ferver Reviewed in ArtForum

“Martha Graham: The Mother of Psychological Dance" offers "a deep examination of the artist’s legacy," writes ArtForum.
Read More →
Tschabalala Self ’12 standing for a professional photo with a serene expression.

Visiting Artist Tschabalala Self ’12 Profiled in L’Officiel

“I’m interested in the ways people build their own worlds around my work and see a part of themselves,” Self said.
Read More →
Tschabalala Self’s <em>Lady In Blue, </em>a sculpture of a Black woman in a blue dress walking confidently.

Visiting Artist Tschabalala Self’s ’12 Lady In Blue Unveiled in London’s Trafalgar Square and Featured in the Guardian

The sculpture is “a beacon that could shed light into a possible future,” Self says.
Read More →

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July 2026

07-17-2026
a woman smiles at the camera
Julianne Swartz MFA ’03, associate professor and codirector of the studio arts program at Bard College, has been awarded a $50,000 grant from the Bobby Anspach Foundation, an organization created to support artists, scientists, and researchers whose work advances dialogue on meditation, psychology, creativity, and collective engagement as pathways to global harmony and health. Swartz, whose work focuses on multisensory installations, was one of two artists chosen from over 3,300 applicants for the inaugural flagship grant.

The grant will support Swartz’s project, Heart Flow Instrument, a large-scale contemplative environment in the form of a deconstructed fountain that functions as a body in itself, where water, sound, light, and human presence circulate through interconnected vessels. Each visitor becomes a component of that body, contributing vital rhythms to a shared sensory field. As visitors engage with sensors, their cardiac and neural rhythms radiate through the installation, affecting the sonic and haptic environment others inhabit.

“This generous funding will allow me to experiment with biomedical sensors to explore new thresholds of interactivity using human biorhythms to shape sound and light,” said Swartz.

The Bobby Anspach Foundation was established to carry forward the vision of artist Bobby Anspach, through the belief that art holds the power to fundamentally transform how we understand ourselves and each other. This year's flagship grants support artists whose work uses immersive technology and sensory experience to open new pathways into consciousness, empathy, and collective transformation. Throughout 2026, the foundation will spotlight the work of all grant recipients across its platforms and through foundation programming such as events, conversations, and gatherings designed to share this research across disciplines and introduce the grant recipients to new audiences.
Photo: Julianne Swartz MFA ’03, associate professor and codirector of the studio arts program.
Meta: Type(s): Faculty,Staff | Subject(s): Awards,Bard Undergraduate Programs,Division of the Arts,Faculty,Studio Arts Program |
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