News

Bard College is pleased to announce that the Wihanble S’a Center for Indigenous AI, directed by Dr. Suzanne Kite, distinguished artist in residence and assistant professor of American and Indigenous Studies, has been designated as a Humanities Research Center on AI by the National Endowment for the Humanities (NEH). This prestigious recognition will confer a $500,000 grant in support of the Center, and position Wihanble S’a at the forefront of innovative research that integrates Indigenous Knowledge systems with cutting-edge artificial intelligence (AI) technologies.

Beginning in Fall 2024, the Wihanble S’a Center will embark on groundbreaking research aimed at developing ethical AI frameworks deeply rooted in Indigenous methodologies. The Center’s mission is to explore and address the ethical, legal, and societal implications of AI through an Indigenous lens, ensuring that AI technologies reflect diverse perspectives and contribute positively to society.

“This award is a tremendous honor and a recognition of the importance of American Indian perspectives in the rapidly evolving fields of AI,” said Dr. Kite, who is an award-winning Oglála Lakȟóta artist and academic, and Bard MFA ’18 alum. “Our goal is to develop ethical methodologies for systems grounded in Indigenous knowledge, offering new guidelines and models through collaboration between Indigenous scholars and AI researchers, challenging the predominantly Western approach to AI. Wihanble S’a (WEE hah blay SAH) means dreamer in Lakota, and we are dreaming of an abundant future.”

The NEH designation will support the Center’s initiatives, including the establishment of a dedicated facility on Bard College’s Massena Campus. This facility will serve as a collaborative hub, bringing together scholars from across diverse academic disciplines—including computer science, cognitive and neuroscience, linguistics, ethics, and Indigenous Studies—to engage in interdisciplinary research and educational activities.

In addition to research, the Center will host public events, workshops, and an interdisciplinary Fellowship and Visiting Scholars program, all aimed at advancing the field of Indigenous-informed AI. The Center’s work will complement the recruitment and support of Indigenous students ongoing at Bard’s Center for Indigenous Studies, enhancing Bard College’s commitment to being a leader in Indigenous studies in the United States as well as complementing Dr. Kite’s work with the international Abundant Intelligences Indigenous AI research program. Wihanble S’a Center’s designation as an NEH Humanities Research Center on AI underscores Bard College’s dedication to fostering innovative, socially responsible research that bridges the humanities and technological advancements.

Bard College announces the creation of The Barbara Ess Fund for Artistic Expression in Photography. This fund is made possible through a generous endowment from the Schwartz Family to honor their sister, Barbara Ess, a beloved teacher, colleague, mentor, artist, friend, and much-loved family member. The Barbara Ess Fund for Artistic Expression in Photography is an annual award that will cover the cost of course-related materials for a limited number of Bard College photography students on financial aid.

After taking some time to process the loss, Barbara’s sisters, Janet and Ellen, have decided to honor Barbara by creating a special endowment fund at Bard College, The Barbara Ess Fund for Artistic Expression in Photography. This fund will allow students on financial aid to fully participate in photography classes. They believe Barbara would have loved that.

After joining the faculty at Bard in 1997 as a professor in the photography department, Barbara Ess committed herself to inspiring and encouraging her students to be the most interesting artists they could be. She shared her unique perspective and approach to photography and art in a way that connected with her students, demanding only that the work be honest, authentic, and thoughtful. Her students loved and respected her. Many of them have gone on to make impressive art and enjoy successful careers.

According to former student and Co-Chair in Photography at Bard MFA, Megan Plunkett, MFA ’17, “Barbara Ess was an artist of immense power and I continue to be amazed by all that she accomplished in her work. As a teacher, she was abuzz with ideas, energy, and experiments. She gave us the gift of being seen as artists, and the freedom to be ourselves in our studios. She changed so many of her student’s lives, mine very much included. It is my absolute pleasure to speak on behalf of the Barbara Ess Fund for Artistic Expression. In funding materials for photo students with financial need, Barbara’s frenetic, infectious joy for making will continue to thrive in new generations of Bard artists, something I know would bring her immense joy in return.”

To donate to the fund via Bard’s secure website, please click here. For other ways to give to the fund, please click here. Note all contributions are tax deductible to the fullest extent of the law. We encourage you to check with your employer to ask if your donation can be matched.

About Barbara Ess
Barbara Ess was born in 1944 in Brooklyn, NY. In 1969 she received her BA in Philosophy and English Literature from the University of Michigan in Ann Arbor, MI. Ess has been the subject of several solo exhibitions, including at The New Museum of Contemporary Art, New York, NY (1985); High Museum of Art, Atlanta, GA (1992); and Moore College of Art, Philadelphia, PA (2003). She has also participated in many group exhibitions, including Currents, Institute of Contemporary Art, Boston, MA (1985); Postmodern Prints, Victoria and Albert Museum, London, England, UK (1991); Bowery Tribute, The New Museum of Contemporary Art, New York, NY (2010); and Who You Staring At: Culture visuelle de la scène no wave des années 1970 et 1980, Centre Pompidou, Paris, France (2023). Ess died in 2021 in Elizaville, NY.

Kelly Reichardt, S. William Senfeld Artist in Residence at Bard College, spoke with Bard alum Connor Williams ’18 for a profile in Interview Magazine. “Reichardt’s body of work is remarkable for its consistency in quality and creative vision,” Williams writes. “She simply hasn’t made a film that wasn’t great.” In conversation with Williams, Reichardt discusses what she’s learned from her first film jobs years ago, her long-lasting collaborative friendships, and introducing students to her understanding of the cultural and cinematic canon. “I just wouldn’t really be connected with that generation if I didn’t teach,” she said. “I like being around young people and being in the flow of that conversation.”