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Lucy Sante—writer, critic, and Bard faculty member—pens an intimate personal essay for Vanity Fair tracing her journey as a trans woman, from the carefully repressed feelings of her adolescence to finally coming out last year. “Now I am aware that I live, as we all do, in a cloud of unknowing, where certainties break down and categories become liquid,” she writes. “None of us really knows anything except provisionally. Now, as Lou Reed put it, ‘I’m set free/ to find a new illusion.’” Lucy Sante is visiting professor of writing and photography at Bard College. She has been a member of the faculty since 1999.
 

The Posse Arts Program celebrated its inaugural class of scholars, including a cohort from Puerto Rico that will attend Bard College this coming fall, at a virtual awards ceremony on January 24. Yadier Perez, one of 10 Posse Arts Scholars who will attend Bard, reflected on the significance of the award for his family. “I am thankful to Bard. You have given me the opportunity to show my brothers, my siblings, that pushing and fighting for your dreams can make them a reality. … We've all gone through hardships, but we're here to succeed. We've earned this. So thank you, Bard, for giving me the opportunity to make my mom proud.”

The program included remarks from songwriter, actor, and director Lin-Manuel Miranda, his father and political strategist Luis A. Miranda Jr., and U.S. Secretary of Education Dr. Miguel Cardona. President of the College Leon Botstein greeted the incoming Bardians with a message underscoring the importance of community. “To succeed, you can’t do it alone—you’re only as good as the people who help you and collaborate and share and support you,” President Botstein said. “It’s terribly important, the Posse idea.”

Addressing the new Posse Arts cohorts at the recent awards ceremony, Lin-Manuel Miranda said, “This really is an extraordinary moment. We are believers in the Posse process. Your time in school is a time for you to find your voice, find what you are passionate about. You’re going in with a squad and with a group of like-minded artists and you’re going to be able to lean on each other for support. You’re going to have an instant set of potential collaborators. Take advantage of your time and sink your teeth into the school. Get to know your Posse cohorts. And we are excited to be a step in your journey and to be able to say, ‘We knew you when.’”

Representing Bard, the first institution to partner with Posse to recruit students from Puerto Rico, President Botstein spoke about the outsized role the arts play in society. “We believe that the arts are not a separate way of life,” he said. “The arts are not decoration; they're not ornament. They're essential to any notion of freedom or autonomy or community, especially in a democracy. They are on the same level as physics, or mathematics, or economics or history and literature. And it's a wonderful addition to our student body, to have students from Puerto Rico.”

Twenty-seven high school seniors will attend college on full-tuition art scholarships totaling $5.2 million as participants in the new Posse Arts Program, an initiative of the Posse Foundation—a leading college success and youth leadership development organization. Selected from public high schools in Puerto Rico, New York, and cities across the country, the program’s inaugural class will matriculate this fall at Bard College, California Institute for the Arts (CalArts), and University of North Carolina School of the Arts (UNCSA), respectively.

The Posse Arts initiative was conceived in collaboration with Lin-Manuel and the Miranda Family Fund. The program seeks to create a diverse pipeline of leaders in the creative arts by connecting promising art students from diverse backgrounds to top colleges and universities, where they attend as members of a cohort. Last spring, former First Lady Michelle Obama joined Lin-Manuel and Posse in announcing the launch of the program.

BARD COLLEGE POSSE ARTS SCHOLARSHIPS AWARDEES

Ariana Sofia Diaz
Naobie Angeline Garcia
Jadiel Omar Gómez Marín
Dashely Valeria Juliá Ramírez
Dyann Malpica Santiago
Gabriel Antonio Medina Maldonado
Kiara Arlene Peña González 
Yadier M. Pérez Pagán
Diego Andrés Santos
Pedro Emiliano Vázquez Colón

 
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Opus 40, the 57-acre sculpture park created by the late Harvey Fite ’30, former Bard professor and alumnus, will begin 2022 with a combined $650,000 in grant awards. With these new grants, Caroline Crumpacker, executive director of Opus 40, has prioritized preserving the park and ensuring its success. The upkeep of Opus 40 would not be possible without this grant money, says Jonathan Becker, Opus 40 board president and Bard executive vice president, vice president for academic affairs, and director of the Center for Civic Engagement. "The (Mellon) Foundation’s grant, combined with the National Parks Service/Save America’s Treasures grant announced in September, will allow for a truly historic conservation effort and will secure the preservation of Fite’s sculpture for generations to come,” Becker said in a statement.

Full Story in the Times Herald-Record

Selected by actress Tilda Swinton, artist Cao Fei, and architect David Adjaye, Marie Schleef ’14 was named one of 10 recipients of the first Chanel Next Prize. The biennial prize awards Schleef with €100,000, devoted to a project of her choosing. Schleef’s work as a theater director and multimedia artist centers the female experience and challenges notions of the male gaze. Yana Peel, Chanel’s global head of arts and culture, said in a statement: “We extend Chanel’s deep history of cultural commitment—empowering big ideas and creating opportunities for an emerging generation of artists to imagine the next.” Also included with the prize is access to a network of mentors over the course of the next 20 months.
 
Full Story on ARTnews

“Dance has always been a radical act, even if it was covered in gauze and tulle.”
—Maria Simpson, Professor of Dance and Dance Program Director 

Dance Magazine features Bard College in its January 2022 issue, highlighting the work of Sam Pratt ’14 in its “25 to Watch” cover story, and interviewing Bard senior Leslie Morales and Professor Maria Simpson in “Dance with a Purpose,” an article about blending art and activism in your practice, even before graduation.

Jeffrey Gibson, artist in residence in the Studio Arts Program, spoke widely about his work in a talk hosted by Art Basel. Tracking his personal and artistic history, Gibson spoke at length about a period of his career during which he took a deliberate step back from the “traditional” studio space and worked in concert with Indigenous artisans and creators, some of whom didn’t explicitly define themselves as artists. Though his work is often seen through the lens of identity, Gibson spoke of an intertribal aesthetic he brings to his work, which often calls for Indigenous and queer liberation.



Full Video on Art Basel
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