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Bard College student and photography major Peace Okoko ’21 won a $10,000 Davis Projects for Peace grant. This grant offered her the opportunity to spend the summer in Kenya, where she would work to increase homeless women’s access to proper sanitary supplies and facilities. In its 14th year, the Davis Projects for Peace program invited undergraduates to design grassroots peace-building projects to be implemented during the summer of 2020 and selected the most promising and feasible projects to be funded. Although all 2020 Projects for Peace have been cancelled due to the COVID-19 pandemic, it is the foundation’s hope that circumstances will permit them to roll these grants forward to 2021.

Okoko’s project proposed providing reusable sanitary products (either cloth pads or menstrual cups) to homeless women in Nairobi’s slums. She plans to work with an organization ‘Bank on Me’ that distributes pads to girls and help extend their demographic reach. Her project would educate women on how to create their own clothing pads in hopes to foster future sustainability. Through Bank on Me’s network of local tailors, they would provide a one-day training on how to create the clothing pads. “Lack of access to menstrual hygiene products or sanitation facilities is dehumanizing, strips a person of their dignity and robs them the opportunity to have a peaceful existence with themselves and the community around them,” writes Okoko. “In 2020, access to sanitary products should not be a privilege but rather commonplace.”

Projects for Peace was created in 2007 through the generosity of Kathryn W. Davis, a lifelong internationalist and philanthropist who believed that today’s youth—tomorrow’s leaders—ought to be challenged to formulate and test their own ideas.

In a look back at the work’s West Coast premiere at UCLA in February, Forbes contributor Tom Teicholz writes, “At the time I saw the performance, I had no idea it would resonate with greater relevance during the current crisis. Now, I can’t stop thinking about it.” Adapted from the poems of T. S. Eliot, Four Quartets is a meditation on time and the search for the divine. “Eliot’s words inspire stillness and thought—which is a hard concept to choreograph,” writes Teicholz. “Yet Tanowitz has delivered a work that stands out as a peerless modern work for the ages.”

Two Bard College students have won prestigious Fulbright Awards for individually designed study/research projects and one student has been selected as an alternate. During their grants, Fulbrighters meet, work, live with and learn from the people of the host country, sharing daily experiences. The program facilitates cultural exchange through direct interaction on an individual basis in the classroom, field, home, and in routine tasks, allowing the grantee to gain an appreciation of others’ viewpoints and beliefs, the way they do things, and the way they think. Bard College is a Fulbright top producing institution.

Madison Emond ’18, a photography major from Barrington, Rhode Island, has won a Fulbright Scholarship to New Zealand, where she will pursue a photography project, initially developed as her Bard College Senior Project, Nature as Artist: Visualizing the Personhood of the New Zealand Landscape. “My photographic practice sets out to question traditional landscape imagery and how it affects the viewer’s relationship to the environment. Still images of nature can estrange us from knowing the Earth as a living, shifting, unruly being, locked in a process of steady, often violent, transformation. No matter how moving or dramatic a photograph of nature is, it often speaks only to the vantage point of its maker standing outside of it. Rather than making images of the landscape I make images with the landscape. What I mean is this: all my works are made through the interaction of photosensitive materials, the natural world, and moonlight – and nothing else,” says Emond. Emond has chosen New Zealand because it was one of the first nations in the world to grant legal personhood to landforms. In 2014, Te Urewera, a national park, was granted legal personhood. Three years later, the Whanganui River was granted this same status. Emond’s project has a cross-cultural component. “The United States has a passion for the natural beauty of its land and I believe its people have the capability to recognize a similar alternative relationship between its human and “natural” citizens. With that belief in mind, I plan to explore how legal personhood could benefit landforms in the United States.”

Michelle Jackson-Beckett, a Ph.D. student in the Bard Graduate Center, won a Fulbright Scholarship to Austria to conduct research on “Vienna’s Other Modernism: Design and Dwelling 1918-1968.” Jackson-Beckett has accepted a faculty position at the University of Applied Arts Vienna in lieu of the Fulbright scholarship.

Medora Jones ’18, who graduated from Simons Rock in 2016, has been named an alternate for a Fulbright English Teaching Assistantship to Morocco.

The Fulbright U.S. Student Program is the largest U.S. exchange program offering opportunities for students and young professionals to undertake international graduate study, advanced research, university teaching, and primary and secondary school teaching worldwide. The program currently awards approximately 2,000 grants annually in all fields of study, and operates in more than 140 countries worldwide. Fulbright U.S. Student alumni populate a range of professions and include ambassadors, members of Congress, judges, heads of corporations, university presidents, journalists, artists, professors, and teachers. Bose Corporation founder Amar Bose, actor John Lithgow, composer Philip Glass, opera singer Renee Fleming and economist Joseph Stiglitz are among notable former grantees.

 

“Set in the mid-19th-century Oregon Territory, Kelly Reichardt’s latest film is a fable, a western, a buddy picture, and a masterpiece,” writes A. O. Scott in the Times. “A parable of economics and politics, with shrewd insights into the workings of supply and demand, scarcity and scale and other puzzles of the marketplace, the movie is also keenly attuned to details of history, both human and natural.”

It’s been 40 years since any American museum devoted an exhibition to the work of Eileen Gray, who is considered by many to be a pioneer in the worlds of modern design and architecture. “This past weekend, that situation was rectified with the debut of ‘Eileen Gray: Crossing Borders,’ a show of furniture and architecture models as well as more rarely seen photographs and drawings at New York’s Bard Graduate Center Gallery,” writes Architectural Digest. “Unlike previous exhibitions dedicated to Gray's oeuvre, this one is presented in a very different setting: three floors of a Beaux Arts townhouse that was once a single-family home on the Upper West Side of Manhattan. The house quite intimately sets visitors in a domestic space and in the realm of Gray. It's also an apt backdrop for her extraordinary breadth of talent and entrepreneurial spirit.”

The show, making its Southern California debut, features the on-stage construction of a two-story house, but no dialogue. Geoffrey Sobelle, visiting artist in residence in Bard’s Theater and Performance Program, is the creator and also one of the performers in Home.