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a man with white hair and glasses looks at the camera

Essay by Photographer Stephen Shore Featured in Aperture Magazine

Shore explores the complexity of photographing the color red in an essay for Aperture.
Bard College Faculty Member Lothar Osterburg Named a 2025 National Academician by the National Academy of Design

Bard College Faculty Member Lothar Osterburg Named a 2025 National Academician by the National Academy of Design

Recognized for their contributions to contemporary American art and architecture, this year’s class of newly elected Academicians includes 27 artists and architects from across the United States.
A closeup photo of Stephen Shore, who is wearing glasses with a serious expression.

The New Yorker on Stephen Shore’s “Precocious Adolescent Eye”

“To call Stephen Shore the most precocious photographer in the history of the medium is almost correct.”

Division of the Arts News by Date

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January 2017

01-29-2017
MoMA Announces the First U.S. Exhibition to Encompass Photographer, Bard Professor Stephen Shore's Entire Career
The Museum of Modern Art announces Stephen Shore, the first U.S. survey to encompass the entirety of Stephen Shore’s career in photography, from the gelatin silver prints he made as a teenager to his current work with digital platforms. On view from November 19, 2017, until spring 2018, the exhibition tracks the artist from his wunderkind beginnings—works made when he was just 14 years old were acquired by Edward Steichen, the director of the Department of Photography at MoMA; he had a solo exhibition at The Metropolitan Museum of Art when he was 24 years old—through his continual, restless interrogation of image making. Stephen Shore is Susan Weber Professor in the Arts and director of the Photography Program at Bard. He has taught at the College since 1982.
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Meta: Type(s): Faculty | Subject(s): Division of the Arts | Institutes(s): Bard Undergraduate Programs |
01-26-2017
Bard alumnus Duane Linklater's show at NYU's 80WSE gallery engages with questions about the under- and misrepresentation of indigenous artists in galleries and museums.
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Meta: Type(s): Alumni | Subject(s): Alumni/ae,Bardians at Work,Division of Social Studies,Division of the Arts,Politics and International Affairs | Institutes(s): MFA |
01-20-2017
The artist Tschabalala Self employs a signature blend of paint, recycled materials, fabrics, and collage to depict women of color in her work, defiantly reclaiming their stories.
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Meta: Type(s): Alumni | Subject(s): Alumni/ae,Bardians at Work,Division of the Arts | Institutes(s): Bard Undergraduate Programs |
01-05-2017
Nona Faustine makes photographs that expose the history of slavery in the United States, particularly for black women, and its ties to locations in New York City and to national landmarks.
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Meta: Type(s): Alumni | Subject(s): Alumni/ae,Bardians at Work,Division of the Arts | Institutes(s): ICP |
01-01-2017
The Invisible Adversaries exhibition at the CCS Bard Hessel Museum last fall considered the power of dark societal forces.
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Meta: Type(s): Event | Subject(s): Division of the Arts | Institutes(s): Center for Curatorial Studies |
Results 1-5 of 5
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