Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, October 1, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, October 2, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
China Now Music Festival: Chasing Dreams at Carnegie Hall
Bard East/West Ensemble and THE RIFT: Opera in One Act
Friday, October 2, 2026 7:30–9 pm
Zankel Hall at Carnegie Hall Join us for the opening night of the ninth annual China Now Music Festival at Zankel Hall at Carnegie Hall. Led by conductor and artistic director Jindong Cai, this concert features the New York premiere of THE RIFT, a chamber opera in one act by composer Huang Ruo and Tony Award-winning playwright David Henry Hwang that explores the story behind Maya Lin’s iconic Vietnam Veterans Memorial. That same night, the Bard East/West Ensemble will perform works by contemporary composers Zhang Zheng, Luk Wai Chun, and Wang Danhong. Soloists include soprano Karen Vuong, mezzo-soprano Michelle Mariposa, tenor Edward Graves, bass-bartitone Daniel Klein, and pipa performer Yang Jin.
Use discount code NOW57513 to receive 20% off tickets. For student and senior discounted tickets, visit the Carnegie Hall box office at 57th Street and 7th Avenue. Sponsored by: Bard College Conservatory of Music.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, October 3, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
China Now Music Festival: Chasing Dreams at Asia Society
US-China Music Forum: Chasing Dreams
Saturday, October 3, 2026 4:30–6 pm
Asia Society 725 Park Ave. New York City, NY 10021 United States
Join us for a special afternoon of conversation and song with composer Huang Ruo, librettist Su Wei, and conductor Jindong Cai, moderated by Asia Society's Rachel Cooper. A vibrant discussion on how music captures the emotion and power of history is accompanied by song--sopranos Lucy Fitz Gibbon and Karen Vuong will sing arias from two major operatic works foregrounding Chinese American stories, with Xinri Zhang on keyboard. Stay back to meet the artists during the lively wine reception that follows!
The US-China Music Forum: Chasing Dreams commemorates the 250th anniversary of the United States, highlighting THE RIFT and Men of Iron and the Golden Spike, two major musical works that focus on the sacrifices and contributions of Chinese Americans. This is part of the China Now Music Festival, created to deepen understanding of Chinese culture through orchestral, operatic, and chamber music performances.
The theme, "Chasing Dreams," reminds us that the pursuit of dreams is a shared human experience that connects us all. The festival is centered on two major musical works that focus on the sacrifices and contributions of Chinese Americans. The opening concert, on October 2 at Carnegie Hall's Zankel Hall, features THE RIFT, a chamber opera in one act by Chinese American composer Huang Ruo and playwright David Henry Hwang. The work tells the compelling story behind Maya Lin's iconic Vietnam Veterans Memorial and explores themes of identity and reconciliation. The festival concludes on October 11 at the Rose Theater, Jazz at Lincoln Center, with Zhou Long's Men of Iron and the Golden Spike. This large scale symphonic oratorio honors the thousands of Chinese laborers who built the Transcontinental Railroad in the 1860s. The performance will feature an 80-piece orchestra, a 120-voice chorus, and six vocal soloists.
The festival is co-presented by the US-China Music Institute of the Bard College Conservatory of Music and the Central Conservatory of Music, China. Follow this link for tickets to the US-China Music Forum at Asia Society: https://asiasociety.org/new-york/events/chasing-dreams-us-china-music-forumSponsored by: Bard College Conservatory of Music.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, October 4, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
China Now Music Festival: Chasing Dreams at Kingston
Bard East/West Ensemble conducted by Jindong Cai
Sunday, October 4, 2026 3–5 pm
TEMPO Performing Arts Center 29 Wurts Street Kingston, NY, 12401 United States As a part of the ninth annual China Now Music Festival, Chasing Dreams, the Bard East/West Ensemble celebrates America’s 250th anniversary by performing pieces from their recent tour. Returning home from a tour in China that took them to 8 cities for 15 performances, the ensemble will showcase their cross-cultural sound through unique arrangements of works by Aaron Copland, Astor Piazzolla, and Jiang Ying, among others.
The festival is co-presented by the US-China Music Institute of the Bard College Conservatory of Music and the Central Conservatory of Music, China. Follow this link for tickets to the TEMPO Performing Arts Center concert: https://tempokingston.org/events/bard_china_ensemble/Sponsored by: Bard College Conservatory of Music.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, October 7, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, October 8, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, October 9, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
China Now Music Festival: Chasing Dreams at Bard Chapel
Chinese and American Folk Songs
Friday, October 9, 2026 2 pm
Chapel of the Holy Innocents The Choir of the Music Education Institute, Central Conservatory of Music, China is joined by guest chorus, the Xinsheng Chinese Choir of New York, for an afternoon in which Chinese folk songs and North American ballads share a stage.
The festival is co-presented by the US-China Music Institute of the Bard College Conservatory of Music and the Central Conservatory of Music, China. Follow this link for more information about the event: https://www.barduschinamusic.org/events/2026/8/19/chinese-and-american-folk-songsSponsored by: Bard College Conservatory of Music.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, October 10, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
China Now Music Festival: Chasing Dreams at Fisher Center
The Orchestra Now Celebrates America's 250th Anniversary - Bard College
Saturday, October 10, 2026 3–5 pm
Fisher Center, Sosnoff Theater The theme of this year’s China Now Music Festival, Chasing Dreams, celebrates America’s 250th anniversary. The program features Zhou Long’s Men of Iron and the Golden Spike, a powerful symphonic oratorio honoring the thousands of Chinese laborers who came to America in the 1860s to build the Transcontinental Railroad that connected our coasts and transformed our nation. This epic work by the Pulitzer Prize-winning composer includes a full orchestra, 120 choristers, and vocal soloists. Also featured is the U.S. premiere of Li Shaosheng’s five-movement symphonic suite Chasing the Sky, honoring humanity’s pursuit of space exploration. Conducted by Jindong Cai, The Orchestra Now is joined by the China Now Chorus and soloists including suona player Zhang Weiwei, soprano Lucy Fitz Gibbon, mezzo-soprano Ziqi Wang, tenor Li Yi, bass-baritone Yue Wu, bass Andrew Munn, and child soloist Wyatt Stephens.
The festival is co-presented by the US-China Music Institute of the Bard College Conservatory of Music and the Central Conservatory of Music, China. Follow this link for tickets to the concert: https://fishercenter.bard.edu/events/china-now-music-festival-chasing-dreams/Sponsored by: Bard College Conservatory of Music.
Chasing Dreams: The Orchestra Now Celebrates America's 250th Anniversary
Saturday, October 10, 2026 3–5 pm
Fisher Center, Sosnoff Theater
The theme of this year’s China Now Music Festival, “Chasing Dreams,” celebrates America’s 250th anniversary. The program features Zhou Long’s Men of Iron and the Golden Spike, a powerful symphonic oratorio honoring the thousands of Chinese laborers who came to America in the 1860s to build the Transcontinental Railroad that connected our coasts and transformed our nation. This epic work by the Pulitzer Prize winning composer includes a full orchestra, 120 choristers, and six soloists. Also featured is the U.S. premiere of Li Shaosheng’s five-movement symphonic suite Chasing the Sky, honoring humanity’s pursuit of space exploration. The festival is presented by the US-China Music Institute of the Bard College Conservatory of Music in collaboration with the Central Conservatory of Music, China.
Learn more at https://www.barduschinamusic.org/chasing-dreamsSponsored by: Bard College Conservatory of Music; Chinese Studies Program; Fisher Center; Music Program.
For more information, call 732-535-0768, or e-mail [email protected].
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, October 11, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
China Now Music Festival: Chasing Dreams at Jazz at Lincoln Center
The Orchestra Now Celebrates America's 250th Anniversary - NYC
Sunday, October 11, 2026 3–5 pm
Rose Theater at Jazz at Lincoln Center The theme of this year’s China Now Music Festival, Chasing Dreams, celebrates America’s 250th anniversary. The program features Zhou Long’s Men of Iron and the Golden Spike, a powerful symphonic oratorio honoring the thousands of Chinese laborers who came to America in the 1860s to build the Transcontinental Railroad that connected our coasts and transformed our nation. This epic work by the Pulitzer Prize-winning composer includes a full orchestra, 120 choristers, and vocal soloists. Also featured is the U.S. premiere of Li Shaosheng’s five-movement symphonic suite Chasing the Sky, honoring humanity’s pursuit of space exploration. Conducted by Jindong Cai, The Orchestra Now is joined by the China Now Chorus and soloists including suona player Zhang Weiwei, soprano Lucy Fitz Gibbon, mezzo-soprano Ziqi Wang, tenor Li Yi, bass-baritone Yue Wu, bass Andrew Munn, and child soloist Wyatt Stephens.
The festival is co-presented by the US-China Music Institute of the Bard College Conservatory of Music and the Central Conservatory of Music, China. Follow this link for tickets to the closing night concert: https://ticketing.jazz.org/21583/21585
Use discount code FENGYA to receive 20% off tickets.Sponsored by: Bard College Conservatory of Music.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, October 14, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, October 15, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, October 16, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, October 17, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, October 18, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, October 21, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, October 22, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, October 23, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
R.U.R. or “Rossum’s Universal Robots” was written in 1920 by Czech writer Karel Čapek. He is credited with introducing the word “robot” to the world. A foundational science fiction text, the play imagines a future where robots have a place in every facet of human life—domestic, labor, agriculture, transportation, war, and more. Eventually, the robots take over and destroy every human on Earth.
R.U.R. mirrors the current rise of AI in contemporary society, serving as an analysis and a warning. While working on this play, we will have the opportunity to analyze the similarities and differences of the advent of a potentially dangerous technology in 1920s Europe versus today.
The Bard College Theater & Performance Program presents
Rossum’s Universal Robots by Playwright Karel Capek Translation by Claudia Novack Directed by Dara Malina
Set Design by Aoshuang Zhang Costume Design by Karen Boyer Lighting Design by Daisy Long Sound Design by Evdoxia Ragkou
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, October 24, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
R.U.R. or “Rossum’s Universal Robots” was written in 1920 by Czech writer Karel Čapek. He is credited with introducing the word “robot” to the world. A foundational science fiction text, the play imagines a future where robots have a place in every facet of human life—domestic, labor, agriculture, transportation, war, and more. Eventually, the robots take over and destroy every human on Earth.
R.U.R. mirrors the current rise of AI in contemporary society, serving as an analysis and a warning. While working on this play, we will have the opportunity to analyze the similarities and differences of the advent of a potentially dangerous technology in 1920s Europe versus today.
The Bard College Theater & Performance Program presents
Rossum’s Universal Robots by Playwright Karel Capek Translation by Claudia Novack Directed by Dara Malina
Set Design by Aoshuang Zhang Costume Design by Karen Boyer Lighting Design by Daisy Long Sound Design by Evdoxia Ragkou
R.U.R. or “Rossum’s Universal Robots” was written in 1920 by Czech writer Karel Čapek. He is credited with introducing the word “robot” to the world. A foundational science fiction text, the play imagines a future where robots have a place in every facet of human life—domestic, labor, agriculture, transportation, war, and more. Eventually, the robots take over and destroy every human on Earth.
R.U.R. mirrors the current rise of AI in contemporary society, serving as an analysis and a warning. While working on this play, we will have the opportunity to analyze the similarities and differences of the advent of a potentially dangerous technology in 1920s Europe versus today.
The Bard College Theater & Performance Program presents
Rossum’s Universal Robots by Playwright Karel Capek Translation by Claudia Novack Directed by Dara Malina
Set Design by Aoshuang Zhang Costume Design by Karen Boyer Lighting Design by Daisy Long Sound Design by Evdoxia Ragkou
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, October 25, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
R.U.R. or “Rossum’s Universal Robots” was written in 1920 by Czech writer Karel Čapek. He is credited with introducing the word “robot” to the world. A foundational science fiction text, the play imagines a future where robots have a place in every facet of human life—domestic, labor, agriculture, transportation, war, and more. Eventually, the robots take over and destroy every human on Earth.
R.U.R. mirrors the current rise of AI in contemporary society, serving as an analysis and a warning. While working on this play, we will have the opportunity to analyze the similarities and differences of the advent of a potentially dangerous technology in 1920s Europe versus today.
The Bard College Theater & Performance Program presents
Rossum’s Universal Robots by Playwright Karel Capek Translation by Claudia Novack Directed by Dara Malina
Set Design by Aoshuang Zhang Costume Design by Karen Boyer Lighting Design by Daisy Long Sound Design by Evdoxia Ragkou
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, October 28, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, October 29, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, October 30, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, October 31, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
Various Campus Locations Visit our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports.
Check our homepage for delays and cancellations to our services as well.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, October 1, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, October 2, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
China Now Music Festival: Chasing Dreams at Carnegie Hall
Bard East/West Ensemble and THE RIFT: Opera in One Act
Friday, October 2, 2026 7:30–9 pm
Zankel Hall at Carnegie Hall Join us for the opening night of the ninth annual China Now Music Festival at Zankel Hall at Carnegie Hall. Led by conductor and artistic director Jindong Cai, this concert features the New York premiere of THE RIFT, a chamber opera in one act by composer Huang Ruo and Tony Award-winning playwright David Henry Hwang that explores the story behind Maya Lin’s iconic Vietnam Veterans Memorial. That same night, the Bard East/West Ensemble will perform works by contemporary composers Zhang Zheng, Luk Wai Chun, and Wang Danhong. Soloists include soprano Karen Vuong, mezzo-soprano Michelle Mariposa, tenor Edward Graves, bass-bartitone Daniel Klein, and pipa performer Yang Jin.
Use discount code NOW57513 to receive 20% off tickets. For student and senior discounted tickets, visit the Carnegie Hall box office at 57th Street and 7th Avenue. Sponsored by: Bard College Conservatory of Music.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, October 3, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
China Now Music Festival: Chasing Dreams at Asia Society
US-China Music Forum: Chasing Dreams
Saturday, October 3, 2026 4:30–6 pm
Asia Society 725 Park Ave. New York City, NY 10021 United States
Join us for a special afternoon of conversation and song with composer Huang Ruo, librettist Su Wei, and conductor Jindong Cai, moderated by Asia Society's Rachel Cooper. A vibrant discussion on how music captures the emotion and power of history is accompanied by song--sopranos Lucy Fitz Gibbon and Karen Vuong will sing arias from two major operatic works foregrounding Chinese American stories, with Xinri Zhang on keyboard. Stay back to meet the artists during the lively wine reception that follows!
The US-China Music Forum: Chasing Dreams commemorates the 250th anniversary of the United States, highlighting THE RIFT and Men of Iron and the Golden Spike, two major musical works that focus on the sacrifices and contributions of Chinese Americans. This is part of the China Now Music Festival, created to deepen understanding of Chinese culture through orchestral, operatic, and chamber music performances.
The theme, "Chasing Dreams," reminds us that the pursuit of dreams is a shared human experience that connects us all. The festival is centered on two major musical works that focus on the sacrifices and contributions of Chinese Americans. The opening concert, on October 2 at Carnegie Hall's Zankel Hall, features THE RIFT, a chamber opera in one act by Chinese American composer Huang Ruo and playwright David Henry Hwang. The work tells the compelling story behind Maya Lin's iconic Vietnam Veterans Memorial and explores themes of identity and reconciliation. The festival concludes on October 11 at the Rose Theater, Jazz at Lincoln Center, with Zhou Long's Men of Iron and the Golden Spike. This large scale symphonic oratorio honors the thousands of Chinese laborers who built the Transcontinental Railroad in the 1860s. The performance will feature an 80-piece orchestra, a 120-voice chorus, and six vocal soloists.
The festival is co-presented by the US-China Music Institute of the Bard College Conservatory of Music and the Central Conservatory of Music, China. Follow this link for tickets to the US-China Music Forum at Asia Society: https://asiasociety.org/new-york/events/chasing-dreams-us-china-music-forumSponsored by: Bard College Conservatory of Music.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, October 4, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
China Now Music Festival: Chasing Dreams at Kingston
Bard East/West Ensemble conducted by Jindong Cai
Sunday, October 4, 2026 3–5 pm
TEMPO Performing Arts Center 29 Wurts Street Kingston, NY, 12401 United States As a part of the ninth annual China Now Music Festival, Chasing Dreams, the Bard East/West Ensemble celebrates America’s 250th anniversary by performing pieces from their recent tour. Returning home from a tour in China that took them to 8 cities for 15 performances, the ensemble will showcase their cross-cultural sound through unique arrangements of works by Aaron Copland, Astor Piazzolla, and Jiang Ying, among others.
The festival is co-presented by the US-China Music Institute of the Bard College Conservatory of Music and the Central Conservatory of Music, China. Follow this link for tickets to the TEMPO Performing Arts Center concert: https://tempokingston.org/events/bard_china_ensemble/Sponsored by: Bard College Conservatory of Music.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, October 7, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, October 8, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, October 9, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
China Now Music Festival: Chasing Dreams at Bard Chapel
Chinese and American Folk Songs
Friday, October 9, 2026 2 pm
Chapel of the Holy Innocents The Choir of the Music Education Institute, Central Conservatory of Music, China is joined by guest chorus, the Xinsheng Chinese Choir of New York, for an afternoon in which Chinese folk songs and North American ballads share a stage.
The festival is co-presented by the US-China Music Institute of the Bard College Conservatory of Music and the Central Conservatory of Music, China. Follow this link for more information about the event: https://www.barduschinamusic.org/events/2026/8/19/chinese-and-american-folk-songsSponsored by: Bard College Conservatory of Music.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, October 10, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
China Now Music Festival: Chasing Dreams at Fisher Center
The Orchestra Now Celebrates America's 250th Anniversary - Bard College
Saturday, October 10, 2026 3–5 pm
Fisher Center, Sosnoff Theater The theme of this year’s China Now Music Festival, Chasing Dreams, celebrates America’s 250th anniversary. The program features Zhou Long’s Men of Iron and the Golden Spike, a powerful symphonic oratorio honoring the thousands of Chinese laborers who came to America in the 1860s to build the Transcontinental Railroad that connected our coasts and transformed our nation. This epic work by the Pulitzer Prize-winning composer includes a full orchestra, 120 choristers, and vocal soloists. Also featured is the U.S. premiere of Li Shaosheng’s five-movement symphonic suite Chasing the Sky, honoring humanity’s pursuit of space exploration. Conducted by Jindong Cai, The Orchestra Now is joined by the China Now Chorus and soloists including suona player Zhang Weiwei, soprano Lucy Fitz Gibbon, mezzo-soprano Ziqi Wang, tenor Li Yi, bass-baritone Yue Wu, bass Andrew Munn, and child soloist Wyatt Stephens.
The festival is co-presented by the US-China Music Institute of the Bard College Conservatory of Music and the Central Conservatory of Music, China. Follow this link for tickets to the concert: https://fishercenter.bard.edu/events/china-now-music-festival-chasing-dreams/Sponsored by: Bard College Conservatory of Music.
Chasing Dreams: The Orchestra Now Celebrates America's 250th Anniversary
Saturday, October 10, 2026 3–5 pm
Fisher Center, Sosnoff Theater
The theme of this year’s China Now Music Festival, “Chasing Dreams,” celebrates America’s 250th anniversary. The program features Zhou Long’s Men of Iron and the Golden Spike, a powerful symphonic oratorio honoring the thousands of Chinese laborers who came to America in the 1860s to build the Transcontinental Railroad that connected our coasts and transformed our nation. This epic work by the Pulitzer Prize winning composer includes a full orchestra, 120 choristers, and six soloists. Also featured is the U.S. premiere of Li Shaosheng’s five-movement symphonic suite Chasing the Sky, honoring humanity’s pursuit of space exploration. The festival is presented by the US-China Music Institute of the Bard College Conservatory of Music in collaboration with the Central Conservatory of Music, China.
Learn more at https://www.barduschinamusic.org/chasing-dreamsSponsored by: Bard College Conservatory of Music; Chinese Studies Program; Fisher Center; Music Program.
For more information, call 732-535-0768, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, October 11, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
China Now Music Festival: Chasing Dreams at Jazz at Lincoln Center
The Orchestra Now Celebrates America's 250th Anniversary - NYC
Sunday, October 11, 2026 3–5 pm
Rose Theater at Jazz at Lincoln Center The theme of this year’s China Now Music Festival, Chasing Dreams, celebrates America’s 250th anniversary. The program features Zhou Long’s Men of Iron and the Golden Spike, a powerful symphonic oratorio honoring the thousands of Chinese laborers who came to America in the 1860s to build the Transcontinental Railroad that connected our coasts and transformed our nation. This epic work by the Pulitzer Prize-winning composer includes a full orchestra, 120 choristers, and vocal soloists. Also featured is the U.S. premiere of Li Shaosheng’s five-movement symphonic suite Chasing the Sky, honoring humanity’s pursuit of space exploration. Conducted by Jindong Cai, The Orchestra Now is joined by the China Now Chorus and soloists including suona player Zhang Weiwei, soprano Lucy Fitz Gibbon, mezzo-soprano Ziqi Wang, tenor Li Yi, bass-baritone Yue Wu, bass Andrew Munn, and child soloist Wyatt Stephens.
The festival is co-presented by the US-China Music Institute of the Bard College Conservatory of Music and the Central Conservatory of Music, China. Follow this link for tickets to the closing night concert: https://ticketing.jazz.org/21583/21585
Use discount code FENGYA to receive 20% off tickets.Sponsored by: Bard College Conservatory of Music.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, October 14, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, October 15, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, October 16, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, October 17, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, October 18, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, October 21, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, October 22, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, October 23, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
R.U.R. or “Rossum’s Universal Robots” was written in 1920 by Czech writer Karel Čapek. He is credited with introducing the word “robot” to the world. A foundational science fiction text, the play imagines a future where robots have a place in every facet of human life—domestic, labor, agriculture, transportation, war, and more. Eventually, the robots take over and destroy every human on Earth.
R.U.R. mirrors the current rise of AI in contemporary society, serving as an analysis and a warning. While working on this play, we will have the opportunity to analyze the similarities and differences of the advent of a potentially dangerous technology in 1920s Europe versus today.
The Bard College Theater & Performance Program presents
Rossum’s Universal Robots by Playwright Karel Capek Translation by Claudia Novack Directed by Dara Malina
Set Design by Aoshuang Zhang Costume Design by Karen Boyer Lighting Design by Daisy Long Sound Design by Evdoxia Ragkou
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, October 24, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
R.U.R. or “Rossum’s Universal Robots” was written in 1920 by Czech writer Karel Čapek. He is credited with introducing the word “robot” to the world. A foundational science fiction text, the play imagines a future where robots have a place in every facet of human life—domestic, labor, agriculture, transportation, war, and more. Eventually, the robots take over and destroy every human on Earth.
R.U.R. mirrors the current rise of AI in contemporary society, serving as an analysis and a warning. While working on this play, we will have the opportunity to analyze the similarities and differences of the advent of a potentially dangerous technology in 1920s Europe versus today.
The Bard College Theater & Performance Program presents
Rossum’s Universal Robots by Playwright Karel Capek Translation by Claudia Novack Directed by Dara Malina
Set Design by Aoshuang Zhang Costume Design by Karen Boyer Lighting Design by Daisy Long Sound Design by Evdoxia Ragkou
R.U.R. or “Rossum’s Universal Robots” was written in 1920 by Czech writer Karel Čapek. He is credited with introducing the word “robot” to the world. A foundational science fiction text, the play imagines a future where robots have a place in every facet of human life—domestic, labor, agriculture, transportation, war, and more. Eventually, the robots take over and destroy every human on Earth.
R.U.R. mirrors the current rise of AI in contemporary society, serving as an analysis and a warning. While working on this play, we will have the opportunity to analyze the similarities and differences of the advent of a potentially dangerous technology in 1920s Europe versus today.
The Bard College Theater & Performance Program presents
Rossum’s Universal Robots by Playwright Karel Capek Translation by Claudia Novack Directed by Dara Malina
Set Design by Aoshuang Zhang Costume Design by Karen Boyer Lighting Design by Daisy Long Sound Design by Evdoxia Ragkou
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, October 25, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
R.U.R. or “Rossum’s Universal Robots” was written in 1920 by Czech writer Karel Čapek. He is credited with introducing the word “robot” to the world. A foundational science fiction text, the play imagines a future where robots have a place in every facet of human life—domestic, labor, agriculture, transportation, war, and more. Eventually, the robots take over and destroy every human on Earth.
R.U.R. mirrors the current rise of AI in contemporary society, serving as an analysis and a warning. While working on this play, we will have the opportunity to analyze the similarities and differences of the advent of a potentially dangerous technology in 1920s Europe versus today.
The Bard College Theater & Performance Program presents
Rossum’s Universal Robots by Playwright Karel Capek Translation by Claudia Novack Directed by Dara Malina
Set Design by Aoshuang Zhang Costume Design by Karen Boyer Lighting Design by Daisy Long Sound Design by Evdoxia Ragkou
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, October 28, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, October 29, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, October 30, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, October 31, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
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