Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, September 2, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, September 3, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, September 4, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, September 5, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, September 6, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Bitó Conservatory Building, Performance Space Jazz at Bard proudly presents an evening with two of the most distinctive voices in creative music: Marilyn Crispell and Bard College's own Angelica Sanchez.
This performance brings that acclaimed partnership to the stage, offering audiences a rare opportunity to experience the artistry behind How to Turn the Moon live. Moving fluidly between composition and improvisation, Crispell and Sanchez create music of intimacy, intensity, and discovery, demonstrating the boundless expressive possibilities of the piano duo.
Join us after the concert for a wine and cheese reception.
Tickets for the evening performance and reception start at $60 per person. Proceeds benefit Jazz at Bard. For more information, call 845-758-6822.
Bitó Conservatory Building, Performance Space An NEA Jazz Master, 2025 and 2026 Mellon Foundation Jazz Legacy Fellow, Marilyn Crispell has forged a singular musical language shaped by deep lyricism, fearless improvisation, and a lifelong commitment to artistic exploration. Her work with Anthony Braxton, Reggie Workman, Joe Lovano, Wadada Leo Smith, and many others has established her as one of the most influential pianists and composers in contemporary creative music. For more than four decades, Crispell has remained a pioneering force in avant-garde jazz, creating music that is both adventurous and deeply expressive.
Joining her is Bard's own Angelica Sanchez, an acclaimed composer, pianist, and educator whose music seamlessly integrates intricate compositional structures with the spontaneity of improvisation. A leading voice in modern creative music, Sanchez has collaborated with artists including Wadada Leo Smith, Paul Motian, Nicole Mitchell, Joe Lovano, Tim Berne, and Billy Hart. Her recordings have received widespread critical acclaim, with Sparkle Beings named one of The New York Times' Top Ten Jazz Recordings of 2022 and Nighttime Creatures selected among DownBeat's Best Recordings of 2023.
A centerpiece of this collaboration is their celebrated duo recording, How to Turn the Moon (Pyroclastic Records). Recognized in NPR's Critics Poll as one of the Top 50 Recordings of 2020, the album showcases an extraordinary musical dialogue between Crispell and Sanchez. Through expansive improvisations, subtle textures, and profound listening, the recording reveals the deep artistic connection shared by these two remarkable pianists.
This performance brings that acclaimed partnership to the stage, offering audiences a rare opportunity to experience the artistry behind How to Turn the Moon live. Moving fluidly between composition and improvisation, Crispell and Sanchez create music of intimacy, intensity, and discovery, demonstrating the boundless expressive possibilities of the piano duo.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, September 9, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, September 10, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, September 11, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, September 12, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, September 13, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
"How Does Culture Turn Revolution Into Something People Can See, Learn, and Imitate?"
A Guest Talk by William Allen
Monday, September 14, 2026 11:50 am – 1:10 pm
Film Center Looking at some photographs of war from his book of poems Sevastopol, Allen will consider the role of art, ekphrasis and bearing witness, sensationalism, revolutionary spirit and 'the decisive moment'. Can art or culture change the world? How do we communicate about a moment or a movement lost in history? Where is the poetry in a photograph? These photographs tell the history of war through well-known and unknown photographers, the personal, the poignant, the forgotten, the unseen. For more information, call 845-758-6822, or e-mail [email protected].
Tuesday, September 15, 2026 – Wednesday, September 16, 2026 10 am – 2 pm
Bertelsmann Campus Center, Lobby Find out how easy it is to ride all through Dutchess County for free six days a week. For more information, call 845-758-7625, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, September 16, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Tuesday, September 15, 2026 – Wednesday, September 16, 2026 10 am – 2 pm
Bertelsmann Campus Center, Lobby Find out how easy it is to ride all through Dutchess County for free six days a week. For more information, call 845-758-7625, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, September 17, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, September 18, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, September 19, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, September 20, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, September 23, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Opening Remarks, Abundant Intelligences: Jason Edward Lewis
We hope you will join us on the land for an afternoon of symposiums and learning.
Wednesday, September 23, 2026 11–11:10 am
Massena Campus Wíhanble S’a Center’s Spring Open House at the Massena Campus is a bi-yearly event for all of our Bard community that brings together collaborations with nonhuman beings through hide work, shared meals, and conversation on the land. We are an American Indian-led research center grounded in Lakota knowledge systems, where learning happens through relation, responsibility, and community. These practices form the root of our approach to developing ethical AI tools, grounding rigorous technological research in land-based knowledge.
Our Open House supports our college community by providing structured student training and a site for faculty engagement with Wíhanble S’a Center’s ongoing initiatives, including, but not limited to, the development of Lakota Dream Language, a neuro-AI storytelling platform that enables interactive exploration of dream narratives.
This year’s events center on a symposium with scholars and artists who consider present-day realities of technological entwinement within the context of Indigenous methodologies and advance new modes of ethical engagement. Fall 2026 features practitioners such as Nathan Young, Antoine Bellamare, Mikhel Proulx, Olivia Camfield, Wills Brewer, Bradley Dry, Asinnajaq, and more. For more information, call 512-547-8233, or e-mail [email protected].
We hope you will join us on the land for an afternoon of symposiums and learning.
Wednesday, September 23, 2026 11:10–11:30 am
Massena Campus Wíhanble S’a Center’s Spring Open House at the Massena Campus is a bi-yearly event for all of our Bard community that brings together collaborations with nonhuman beings through hide work, shared meals, and conversation on the land. We are an American Indian-led research center grounded in Lakota knowledge systems, where learning happens through relation, responsibility, and community. These practices form the root of our approach to developing ethical AI tools, grounding rigorous technological research in land-based knowledge.
Our Open House supports our college community by providing structured student training and a site for faculty engagement with Wíhanble S’a Center’s ongoing initiatives, including, but not limited to, the development of Lakota Dream Language, a neuro-AI storytelling platform that enables interactive exploration of dream narratives. This year’s events center on a symposium with scholars and artists who consider present-day realities of technological entwinement within the context of Indigenous methodologies and advance new modes of ethical engagement. Fall 2026 features practitioners such as Nathan Young, Antoine Bellamare, Mikhel Proulx, Olivia Camfield, Wills Brewer, Bradley Dry, Asinnajaq, and more. For more information, call 512-547-8233, or e-mail [email protected].
Transformations through Image: Olivia Camfield, Woodrow Hunt, Schon Duncan, and assinijaq
We hope you will join us on the land for an afternoon of symposiums and learning.
Wednesday, September 23, 2026 11:30 am – 12:15 pm
Massena Campus Wíhanble S’a Center’s Spring Open House at the Massena Campus is a bi-yearly event for all of our Bard community that brings together collaborations with nonhuman beings through hide work, shared meals, and conversation on the land. We are an American Indian-led research center grounded in Lakota knowledge systems, where learning happens through relation, responsibility, and community. These practices form the root of our approach to developing ethical AI tools, grounding rigorous technological research in land-based knowledge.
Our Open House supports our college community by providing structured student training and a site for faculty engagement with Wíhanble S’a Center’s ongoing initiatives, including, but not limited to, the development of Lakota Dream Language, a neuro-AI storytelling platform that enables interactive exploration of dream narratives.
This year’s events center on a symposium with scholars and artists who consider present-day realities of technological entwinement within the context of Indigenous methodologies and advance new modes of ethical engagement. Fall 2026 features practitioners such as Nathan Young, Antoine Bellamare, Mikhel Proulx, Olivia Camfield, Wills Brewer, Bradley Dry, Asinnajaq, and more. For more information, call 512-547-8233, or e-mail [email protected].
We hope you will join us on the land for an afternoon of symposiums and learning.
Wednesday, September 23, 2026 2:30–3 pm
Massena Campus Wíhanble S’a Center’s Spring Open House at the Massena Campus is a bi-yearly event for all of our Bard community that brings together collaborations with nonhuman beings through hide work, shared meals, and conversation on the land. We are an American Indian-led research center grounded in Lakota knowledge systems, where learning happens through relation, responsibility, and community. These practices form the root of our approach to developing ethical AI tools, grounding rigorous technological research in land-based knowledge.
Our Open House supports our college community by providing structured student training and a site for faculty engagement with Wíhanble S’a Center’s ongoing initiatives, including, but not limited to, the development of Lakota Dream Language, a neuro-AI storytelling platform that enables interactive exploration of dream narratives.
This year’s events center on a symposium with scholars and artists who consider present-day realities of technological entwinement within the context of Indigenous methodologies and advance new modes of ethical engagement. Fall 2026 features practitioners such as Nathan Young, Antoine Bellamare, Mikhel Proulx, Olivia Camfield, Wills Brewer, Bradley Dry, Asinnajaq, and more. For more information, call 512-547-8233, or e-mail [email protected].
Transformations through Materials: Mikayla Patton, Scott Benesiinaabandan, Wills Brewer, and Clementine Bordeaux
We hope you will join us on the land for an afternoon of symposiums and learning.
Wednesday, September 23, 2026 3–3:45 pm
Massena Campus Wíhanble S’a Center’s Spring Open House at the Massena Campus is a bi-yearly event for all of our Bard community that brings together collaborations with nonhuman beings through hide work, shared meals, and conversation on the land. We are an American Indian-led research center grounded in Lakota knowledge systems, where learning happens through relation, responsibility, and community. These practices form the root of our approach to developing ethical AI tools, grounding rigorous technological research in land-based knowledge.
Our Open House supports our college community by providing structured student training and a site for faculty engagement with Wíhanble S’a Center’s ongoing initiatives, including, but not limited to, the development of Lakota Dream Language, a neuro-AI storytelling platform that enables interactive exploration of dream narratives.
This year’s events center on a symposium with scholars and artists who consider present-day realities of technological entwinement within the context of Indigenous methodologies and advance new modes of ethical engagement. Fall 2026 features practitioners such as Nathan Young, Antoine Bellamare, Mikhel Proulx, Olivia Camfield, Wills Brewer, Bradley Dry, Asinnajaq, and more. For more information, call 512-547-8233, or e-mail [email protected].
We hope you will join us on the land for an afternoon of symposiums and learning.
Wednesday, September 23, 2026 3:45–4:15 pm
Massena Campus Wíhanble S’a Center’s Spring Open House at the Massena Campus is a bi-yearly event for all of our Bard community that brings together collaborations with nonhuman beings through hide work, shared meals, and conversation on the land. We are an American Indian-led research center grounded in Lakota knowledge systems, where learning happens through relation, responsibility, and community. These practices form the root of our approach to developing ethical AI tools, grounding rigorous technological research in land-based knowledge.
Our Open House supports our college community by providing structured student training and a site for faculty engagement with Wíhanble S’a Center’s ongoing initiatives, including, but not limited to, the development of Lakota Dream Language, a neuro-AI storytelling platform that enables interactive exploration of dream narratives.
This year’s events center on a symposium with scholars and artists who consider present-day realities of technological entwinement within the context of Indigenous methodologies and advance new modes of ethical engagement. Fall 2026 features practitioners such as Nathan Young, Antoine Bellamare, Mikhel Proulx, Olivia Camfield, Wills Brewer, Bradley Dry, Asinnajaq, and more. For more information, call 512-547-8233, or e-mail [email protected].
We hope you will join us on the land for an afternoon of symposiums and learning.
Wednesday, September 23, 2026 4:15–5 pm
Massena Campus Wíhanble S’a Center’s Spring Open House at the Massena Campus is a bi-yearly event for all of our Bard community that brings together collaborations with nonhuman beings through hide work, shared meals, and conversation on the land. We are an American Indian-led research center grounded in Lakota knowledge systems, where learning happens through relation, responsibility, and community. These practices form the root of our approach to developing ethical AI tools, grounding rigorous technological research in land-based knowledge.
Our Open House supports our college community by providing structured student training and a site for faculty engagement with Wíhanble S’a Center’s ongoing initiatives, including, but not limited to, the development of Lakota Dream Language, a neuro-AI storytelling platform that enables interactive exploration of dream narratives.
This year’s events center on a symposium with scholars and artists who consider present-day realities of technological entwinement within the context of Indigenous methodologies and advance new modes of ethical engagement. Fall 2026 features practitioners such as Nathan Young, Antoine Bellamare, Mikhel Proulx, Olivia Camfield, Wills Brewer, Bradley Dry, Asinnajaq, and more. For more information, call 512-547-8233, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, September 24, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, September 25, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, September 26, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, September 27, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, September 30, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, September 2, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, September 3, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, September 4, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, September 5, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, September 6, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Bitó Conservatory Building, Performance Space Jazz at Bard proudly presents an evening with two of the most distinctive voices in creative music: Marilyn Crispell and Bard College's own Angelica Sanchez.
This performance brings that acclaimed partnership to the stage, offering audiences a rare opportunity to experience the artistry behind How to Turn the Moon live. Moving fluidly between composition and improvisation, Crispell and Sanchez create music of intimacy, intensity, and discovery, demonstrating the boundless expressive possibilities of the piano duo.
Join us after the concert for a wine and cheese reception.
Tickets for the evening performance and reception start at $60 per person. Proceeds benefit Jazz at Bard. For more information, call 845-758-6822.
Bitó Conservatory Building, Performance Space An NEA Jazz Master, 2025 and 2026 Mellon Foundation Jazz Legacy Fellow, Marilyn Crispell has forged a singular musical language shaped by deep lyricism, fearless improvisation, and a lifelong commitment to artistic exploration. Her work with Anthony Braxton, Reggie Workman, Joe Lovano, Wadada Leo Smith, and many others has established her as one of the most influential pianists and composers in contemporary creative music. For more than four decades, Crispell has remained a pioneering force in avant-garde jazz, creating music that is both adventurous and deeply expressive.
Joining her is Bard's own Angelica Sanchez, an acclaimed composer, pianist, and educator whose music seamlessly integrates intricate compositional structures with the spontaneity of improvisation. A leading voice in modern creative music, Sanchez has collaborated with artists including Wadada Leo Smith, Paul Motian, Nicole Mitchell, Joe Lovano, Tim Berne, and Billy Hart. Her recordings have received widespread critical acclaim, with Sparkle Beings named one of The New York Times' Top Ten Jazz Recordings of 2022 and Nighttime Creatures selected among DownBeat's Best Recordings of 2023.
A centerpiece of this collaboration is their celebrated duo recording, How to Turn the Moon (Pyroclastic Records). Recognized in NPR's Critics Poll as one of the Top 50 Recordings of 2020, the album showcases an extraordinary musical dialogue between Crispell and Sanchez. Through expansive improvisations, subtle textures, and profound listening, the recording reveals the deep artistic connection shared by these two remarkable pianists.
This performance brings that acclaimed partnership to the stage, offering audiences a rare opportunity to experience the artistry behind How to Turn the Moon live. Moving fluidly between composition and improvisation, Crispell and Sanchez create music of intimacy, intensity, and discovery, demonstrating the boundless expressive possibilities of the piano duo.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, September 9, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, September 10, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, September 11, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, September 12, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, September 13, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
"How Does Culture Turn Revolution Into Something People Can See, Learn, and Imitate?"
A Guest Talk by William Allen
Monday, September 14, 2026 11:50 am – 1:10 pm
Film Center Looking at some photographs of war from his book of poems Sevastopol, Allen will consider the role of art, ekphrasis and bearing witness, sensationalism, revolutionary spirit and 'the decisive moment'. Can art or culture change the world? How do we communicate about a moment or a movement lost in history? Where is the poetry in a photograph? These photographs tell the history of war through well-known and unknown photographers, the personal, the poignant, the forgotten, the unseen. For more information, call 845-758-6822, or e-mail [email protected].
Tuesday, September 15, 2026 – Wednesday, September 16, 2026 10 am – 2 pm
Bertelsmann Campus Center, Lobby Find out how easy it is to ride all through Dutchess County for free six days a week. For more information, call 845-758-7625, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, September 16, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Tuesday, September 15, 2026 – Wednesday, September 16, 2026 10 am – 2 pm
Bertelsmann Campus Center, Lobby Find out how easy it is to ride all through Dutchess County for free six days a week. For more information, call 845-758-7625, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, September 17, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, September 18, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, September 19, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, September 20, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, September 23, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Opening Remarks, Abundant Intelligences: Jason Edward Lewis
We hope you will join us on the land for an afternoon of symposiums and learning.
Wednesday, September 23, 2026 11–11:10 am
Massena Campus Wíhanble S’a Center’s Spring Open House at the Massena Campus is a bi-yearly event for all of our Bard community that brings together collaborations with nonhuman beings through hide work, shared meals, and conversation on the land. We are an American Indian-led research center grounded in Lakota knowledge systems, where learning happens through relation, responsibility, and community. These practices form the root of our approach to developing ethical AI tools, grounding rigorous technological research in land-based knowledge.
Our Open House supports our college community by providing structured student training and a site for faculty engagement with Wíhanble S’a Center’s ongoing initiatives, including, but not limited to, the development of Lakota Dream Language, a neuro-AI storytelling platform that enables interactive exploration of dream narratives.
This year’s events center on a symposium with scholars and artists who consider present-day realities of technological entwinement within the context of Indigenous methodologies and advance new modes of ethical engagement. Fall 2026 features practitioners such as Nathan Young, Antoine Bellamare, Mikhel Proulx, Olivia Camfield, Wills Brewer, Bradley Dry, Asinnajaq, and more. For more information, call 512-547-8233, or e-mail [email protected].
We hope you will join us on the land for an afternoon of symposiums and learning.
Wednesday, September 23, 2026 11:10–11:30 am
Massena Campus Wíhanble S’a Center’s Spring Open House at the Massena Campus is a bi-yearly event for all of our Bard community that brings together collaborations with nonhuman beings through hide work, shared meals, and conversation on the land. We are an American Indian-led research center grounded in Lakota knowledge systems, where learning happens through relation, responsibility, and community. These practices form the root of our approach to developing ethical AI tools, grounding rigorous technological research in land-based knowledge.
Our Open House supports our college community by providing structured student training and a site for faculty engagement with Wíhanble S’a Center’s ongoing initiatives, including, but not limited to, the development of Lakota Dream Language, a neuro-AI storytelling platform that enables interactive exploration of dream narratives. This year’s events center on a symposium with scholars and artists who consider present-day realities of technological entwinement within the context of Indigenous methodologies and advance new modes of ethical engagement. Fall 2026 features practitioners such as Nathan Young, Antoine Bellamare, Mikhel Proulx, Olivia Camfield, Wills Brewer, Bradley Dry, Asinnajaq, and more. For more information, call 512-547-8233, or e-mail [email protected].
Transformations through Image: Olivia Camfield, Woodrow Hunt, Schon Duncan, and assinijaq
We hope you will join us on the land for an afternoon of symposiums and learning.
Wednesday, September 23, 2026 11:30 am – 12:15 pm
Massena Campus Wíhanble S’a Center’s Spring Open House at the Massena Campus is a bi-yearly event for all of our Bard community that brings together collaborations with nonhuman beings through hide work, shared meals, and conversation on the land. We are an American Indian-led research center grounded in Lakota knowledge systems, where learning happens through relation, responsibility, and community. These practices form the root of our approach to developing ethical AI tools, grounding rigorous technological research in land-based knowledge.
Our Open House supports our college community by providing structured student training and a site for faculty engagement with Wíhanble S’a Center’s ongoing initiatives, including, but not limited to, the development of Lakota Dream Language, a neuro-AI storytelling platform that enables interactive exploration of dream narratives.
This year’s events center on a symposium with scholars and artists who consider present-day realities of technological entwinement within the context of Indigenous methodologies and advance new modes of ethical engagement. Fall 2026 features practitioners such as Nathan Young, Antoine Bellamare, Mikhel Proulx, Olivia Camfield, Wills Brewer, Bradley Dry, Asinnajaq, and more. For more information, call 512-547-8233, or e-mail [email protected].
We hope you will join us on the land for an afternoon of symposiums and learning.
Wednesday, September 23, 2026 2:30–3 pm
Massena Campus Wíhanble S’a Center’s Spring Open House at the Massena Campus is a bi-yearly event for all of our Bard community that brings together collaborations with nonhuman beings through hide work, shared meals, and conversation on the land. We are an American Indian-led research center grounded in Lakota knowledge systems, where learning happens through relation, responsibility, and community. These practices form the root of our approach to developing ethical AI tools, grounding rigorous technological research in land-based knowledge.
Our Open House supports our college community by providing structured student training and a site for faculty engagement with Wíhanble S’a Center’s ongoing initiatives, including, but not limited to, the development of Lakota Dream Language, a neuro-AI storytelling platform that enables interactive exploration of dream narratives.
This year’s events center on a symposium with scholars and artists who consider present-day realities of technological entwinement within the context of Indigenous methodologies and advance new modes of ethical engagement. Fall 2026 features practitioners such as Nathan Young, Antoine Bellamare, Mikhel Proulx, Olivia Camfield, Wills Brewer, Bradley Dry, Asinnajaq, and more. For more information, call 512-547-8233, or e-mail [email protected].
Transformations through Materials: Mikayla Patton, Scott Benesiinaabandan, Wills Brewer, and Clementine Bordeaux
We hope you will join us on the land for an afternoon of symposiums and learning.
Wednesday, September 23, 2026 3–3:45 pm
Massena Campus Wíhanble S’a Center’s Spring Open House at the Massena Campus is a bi-yearly event for all of our Bard community that brings together collaborations with nonhuman beings through hide work, shared meals, and conversation on the land. We are an American Indian-led research center grounded in Lakota knowledge systems, where learning happens through relation, responsibility, and community. These practices form the root of our approach to developing ethical AI tools, grounding rigorous technological research in land-based knowledge.
Our Open House supports our college community by providing structured student training and a site for faculty engagement with Wíhanble S’a Center’s ongoing initiatives, including, but not limited to, the development of Lakota Dream Language, a neuro-AI storytelling platform that enables interactive exploration of dream narratives.
This year’s events center on a symposium with scholars and artists who consider present-day realities of technological entwinement within the context of Indigenous methodologies and advance new modes of ethical engagement. Fall 2026 features practitioners such as Nathan Young, Antoine Bellamare, Mikhel Proulx, Olivia Camfield, Wills Brewer, Bradley Dry, Asinnajaq, and more. For more information, call 512-547-8233, or e-mail [email protected].
We hope you will join us on the land for an afternoon of symposiums and learning.
Wednesday, September 23, 2026 3:45–4:15 pm
Massena Campus Wíhanble S’a Center’s Spring Open House at the Massena Campus is a bi-yearly event for all of our Bard community that brings together collaborations with nonhuman beings through hide work, shared meals, and conversation on the land. We are an American Indian-led research center grounded in Lakota knowledge systems, where learning happens through relation, responsibility, and community. These practices form the root of our approach to developing ethical AI tools, grounding rigorous technological research in land-based knowledge.
Our Open House supports our college community by providing structured student training and a site for faculty engagement with Wíhanble S’a Center’s ongoing initiatives, including, but not limited to, the development of Lakota Dream Language, a neuro-AI storytelling platform that enables interactive exploration of dream narratives.
This year’s events center on a symposium with scholars and artists who consider present-day realities of technological entwinement within the context of Indigenous methodologies and advance new modes of ethical engagement. Fall 2026 features practitioners such as Nathan Young, Antoine Bellamare, Mikhel Proulx, Olivia Camfield, Wills Brewer, Bradley Dry, Asinnajaq, and more. For more information, call 512-547-8233, or e-mail [email protected].
We hope you will join us on the land for an afternoon of symposiums and learning.
Wednesday, September 23, 2026 4:15–5 pm
Massena Campus Wíhanble S’a Center’s Spring Open House at the Massena Campus is a bi-yearly event for all of our Bard community that brings together collaborations with nonhuman beings through hide work, shared meals, and conversation on the land. We are an American Indian-led research center grounded in Lakota knowledge systems, where learning happens through relation, responsibility, and community. These practices form the root of our approach to developing ethical AI tools, grounding rigorous technological research in land-based knowledge.
Our Open House supports our college community by providing structured student training and a site for faculty engagement with Wíhanble S’a Center’s ongoing initiatives, including, but not limited to, the development of Lakota Dream Language, a neuro-AI storytelling platform that enables interactive exploration of dream narratives.
This year’s events center on a symposium with scholars and artists who consider present-day realities of technological entwinement within the context of Indigenous methodologies and advance new modes of ethical engagement. Fall 2026 features practitioners such as Nathan Young, Antoine Bellamare, Mikhel Proulx, Olivia Camfield, Wills Brewer, Bradley Dry, Asinnajaq, and more. For more information, call 512-547-8233, or e-mail [email protected].
Replica of a Chip: The Weaving Technology of Marilou Schultz
Thursday, September 24, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Friday, September 25, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, September 26, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Sunday, September 27, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Replica of a Chip: The Weaving Technology of Marilou Schultz
Wednesday, September 30, 2026 11 am – 5 pm
Hessel Museum of Art, CCS Bard Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
More info here.Sponsored by: Center for Curatorial Studies.
CCS Bard Galleries Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.Sponsored by: Center for Curatorial Studies.
Save this event: