Division of the Arts

Recent News

• Textile Artist Mae Colburn ’10 Talks with Vogue About Archiving her Grandmother's Vintage Skirt Collection
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  Textile Artist Mae Colburn ’10 Talks with Vogue About Archiving her Grandmother's Vintage Skirt Collection

  

  Detail from Coburn's online archive of wool skirts.
  

  When her grandmother died at the age of 99, artist Mae Colburn ’10 and her parents were left with the question of what to do with the matriarch’s massive collection of vintage wool skirts. Sorting through the collection—spanning decades and ranging in colors, plaids, and styles—they were inspired to archive it. “Because I studied art history,” says Colburn, who majored in art history and visual culture at Bard, “research, writing, and archiving [have] always been a really big part of what I do, with a focus on textiles in both art and fashion.” Colburn’s mother is a clothing historian and her dad is a photographer so the project spoke to their collective skills. Together the family has catalogued and photographed 632 vintage wool skirts. The physical archive is in Colburn’s Brooklyn studio—which is occasionally open to the public for viewing—and the digital archive is online.
  

  Read Colburn’s interview in Vogue
  

  
  Post Date: 04-01-2025
  
• Poetry Collection by Juliana Spahr ’88 Featured in the Washington Post
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  Poetry Collection by Juliana Spahr ’88 Featured in the Washington Post

  

  The cover of Ars Poeticas by Juliana Spahr ’88.
  

  A new book of poetry by alumna Juliana Spahr ’88 was featured in the Washington Post. Christopher Kondrich included Spahr’s most recent collection, Ars Poeticas, in a list of four books of poetry that “help restore nuance to our chaotic world.” Kondrich describes Ars Poeticas as a collection about poetry’s ability to respond to social and environmental crises. “We can’t help but wonder what poetry could ever add to the efforts to address [issues like] climate change and right-wing populism. With Ars Poeticas, the answer, despite Spahr’s reservations, is a tremendous amount.” Spahr has published nine books of poetry, the first in 1994. She was the recipient of the OB Hardison Poetry Prize from the Folger Shakespeare Library in 2009.
  

  Read the Feature
  

  
  Post Date: 04-01-2025
  
• Bard Baroque Ensemble Presents Concert in Memory of Frederick Fisher Hammond on April 19
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  Bard Baroque Ensemble Presents Concert in Memory of Frederick Fisher Hammond on April 19

  

  Bard Baroque Ensemble. Photo by Christopher Kayden
  

  The Bard Baroque Ensemble, under the direction of Renée Anne Louprette, presents a concert dedicated to the memory of Frederick Fisher Hammond (1937–2023), Professor Emeritus, Irma Brandeis Chair of Romance Cultures and Music History at Bard College. Presented with the Bard Chamber Singers, Bard Preparatory Division Chorus, and the Graduate Vocal Arts Program, the program includes works by Bach, Handel, and Mozart and features the rededication of Frederick Hammond’s two restored William Dowd harpsichords. The performance will be held on Saturday, April 19 at 7 pm in the Fisher Center’s Sosnoff Theater. This is the Bard Baroque Ensemble’s debut concert in the Sosnoff Theater. The concert is free and open to the public. For information visit fishercenter.bard.edu/whats-on/ or call 845-758-7900 (Mon–Fri 10 am–5 pm).
  
  The evening’s program celebrates the restoration of Professor Hammond's French double-manual and Italian single-manual harpsichords—now a part of Bard College’s collection of early keyboard instruments—featuring them in the Concerto for Two Harpsichords, Strings, and Continuo in C Minor, BWV 1060 by Johann Sebastian Bach, with Sophia Cornicello and Raymond Erickson as harpsichord soloists. One of Wolfgang Amadeus Mozart's most popular and enduring works, Symphony No. 40 in G Minor, K. 550, opens the program, interpreted by the Ensemble with a Baroque sensibility. Bard faculty member and distinguished tenor Rufus Müller presents the ravishing opening aria from Handel’s Serse: Ombra mai fu (Never was a shade). The program concludes with Bach's Cantata No. 1: Wie schön leuchtet Der Morgenstern (How brightly shines the Morningstar), featuring the Bard Chamber Singers, Preparatory Division Children's Chorus, and soloists from the Graduate Vocal Arts Program. This luminous chorale-cantata—originally conceived for the Feast of the Annunciation—is presented here in the context of transition from darkness to light, on the date of Holy Saturday within the Christian Church. Valentina Grasso, assistant professor of history at Bard, will present a reading from Dante’s Divine Comedy—in lieu of the traditional Lutheran sermon—at the center of Bach’s 1724 masterpiece. 
  
  Post Date: 03-27-2025
  
• Artist Eddie Rodolfo Aparicio ’12 Creates Protest Painting in Wake of LA Fires
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  Artist Eddie Rodolfo Aparicio ’12 Creates Protest Painting in Wake of LA Fires

  When the recent Los Angeles wildfires burned down the Altadena home of artist Eddie Rodolfo Aparicio ’12, his brick fireplace and chimney were the only structures left standing. “I began thinking about the resilience of these chimneys,” Aparicio told Hyperallergic. “I’m always looking at symbols that can hold both sides of an emotion: resilience and trauma.” In his first painting since the fires, Aparicio collaborated with Bay Area artist and activist David Solnit and a group of about two dozen volunteers to create a protest painting made with paint that was mixed by Solnit using pigments made from ash and charcoal collected at Altadena burn sites. Aparicio’s black-and-white painting depicts his chimney and fireplace standing among charred ruins and belching dark black smoke. The words “Invest in Communities, Not Fossil Fuels” are printed in both English and Spanish. Environmental activists assert that oil and gas companies have directly contributed to climate change–fueled disasters, like wildfires, that are devastating communities. Aparicio’s painting was unveiled at a Pasadena rally calling for CalPERS, the nation’s largest public pension fund, to fully divest from fossil fuels. An identical painting was unveiled the same day at another rally in front of the Chevron oil refinery in Richmond in northern California.
  

  Read about Aparicio’s protest painting in Hyperallergic
  

  
  Post Date: 03-25-2025
  
• Bard Faculty Member Receives 2024 Project Grant from the Architectural League of New York and NYSCA
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  Bard Faculty Member Receives 2024 Project Grant from the Architectural League of New York and NYSCA

  

  L–R: Jesse McCormick, former visiting lecturer in Architecture at Bard College; Betsy Clifton, lecturer in Architecture at Bard College.
  

  Betsy Clifton, lecturer in Architecture at Bard College, and Jesse McCormick, former visiting lecturer in Architecture at Bard, have received a 2024 Independent Project Grant from the Architectural League of New York and the New York State Council on the Arts (NYSCA) in support of their project, Toxic Assets, Seeing Like a Land Bank. Through an exhibition hosted in collaboration with the architecture collective Citygroup, Toxic Assets will synthesize and translate the history, activity, politics, and potential futures of land banks to an architecture-allied audience. By interrogating the role of land banks in urban development, the project illuminates how these institutions shape the built environment and contribute to larger conversations about equity, policy, and spatial justice. This research and exhibition process has also provided an opportunity for two Bard undergraduate students, Anderson Fletcher ’26 and Noah Protas ’26, to engage with the project as an independent study.
   
  
  Post Date: 03-11-2025
  
• Bard Student Grace Miller-Trabold ’26 Awarded Davis Projects for Peace Grant
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  Bard Student Grace Miller-Trabold ’26 Awarded Davis Projects for Peace Grant

  

  Grace Miller-Trabold ’26.
  

  Grace Miller-Trabold ’26, a junior art history and visual culture and human rights major at Bard College with a concentration in Latin American and Iberian Studies, has been awarded a Projects for Peace Grant for $10,000 by the Davis Foundation. Miller-Trabold’s project, “Connecting Threads: Reciprocity and Gratitude as Pedagogies of Peace in Oaxacan Textile,” will provide resources for youth workshops on Indigenous Oaxacan textile traditions, which will take place in Oaxaca, Mexico, and in Poughkeepsie, New York.
  
  “The preservation of these textile traditions, despite colonization and the imperialization of global capitalist markets, exemplify a cultural resilience that is rooted in communal practices which emphasize belonging, presence, and peace,” Miller-Trabold writes in her proposal. “The artistic medium of textile is inherently peacebuilding as it cultivates a multigenerational, community centered experience that is grounded in intentionality, gratitude, and reciprocity.”
  
  Grace will organize and host two weeks of art workshops for youth in Teotitlan del Valle, Mexico, who will work with the Zapotec community on textile traditions and practices. The small artworks they produce will travel back to the US with Miller-Trabold, who will then facilitate workshops for youth groups in New York to collaborate on these projects at educational institutions in Poughkeepsie, using the same traditional dyeing and weaving traditions, before those collaborative works are returned to Oaxaca. The project aims to create spaces of peace across national borders and across generations in which textile traditions that incorporate ancestral Zapotec ecological knowledge and artistic expertise can be continued and shared.
  
  She “will work closely with farms and gardens in our community to grow plants suitable for use as dyes,” said Paul Mairenthal, the director of the Trustee Leader Scholar Program at Bard, where Miller-Trabold developed her project. “Her project is about history, tradition, memory and community building through textiles. It has a lot of great possibilities.”
  
  Projects for Peace, a Davis Foundation initiative facilitated by Middlebury College in Vermont, is a global program that partners with other educational institutions to identify and support peacebuilders and changemakers across college campuses. Every year, 100 or more student leaders are awarded a grant in the amount of $10,000 each to implement a “Project for Peace” anywhere in the world. To learn more, visit: middlebury.edu/projects-for-peace
  
  Post Date: 03-11-2025