Division of the Arts

Recent News

• Beto O’Byrne Receives New York City Small Theatres Fund Award
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  Beto O’Byrne Receives New York City Small Theatres Fund Award

  

  Beto O’Byrne, visiting artist in residence in theater and performance at Bard College.
  

  Beto O’Byrne, visiting artist in residence in theater and performance at Bard College, along with the collective he cofounded, Radical Evolution Performance Collective, has received a New York City Small Theatres Fund Award. The award, in the amount of $15,500, is bestowed by ART/New York, an arts service organization dedicated to supporting New York City’s community of nonprofit theaters, and the Howard Gilman Foundation, which provides funding and support to New York City–based performing arts organizations that are reflective of its vibrant cultural community. One of 17 recipients elected from 182 applications, O’Byrne and Radical Evolution will receive two years of flexible funds to support their theater operations. Since its founding in 2011, Radical Evolution has been committed to creating artistic events that seek to understand the complexities of mixed-identity existence in the 21st century. The collective collaborates with people from many different identities to break down barriers between cultures and creative practices, and aims to seed the field of experimental and collaboratively created theater with practitioners who celebrate the intersectionality of perspectives and aesthetics of New York City.
  
  Post Date: 07-15-2025
  
• Walid Raad Receives Trellis Foundation 2025 Milestone Grant
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  Walid Raad Receives Trellis Foundation 2025 Milestone Grant

  

  Walid Raad, professor of photography.
  

  Walid Raad, professor of photography at Bard College, has been announced as a recipient of a 2025 Trellis Foundation Milestone Grant. As one of 12 recipients named by the Trellis Art Fund, Raad will receive an unrestricted grant in the amount of $100,000, which will be disbursed in two installments over a two-year period. The award aims to provide support to artists who reflect a consistent, engaged practice and who have demonstrated a trajectory of creative excellence over the course of their career. Grantees will also be supported with career-development assistance, including workshops, and in November Trellis will host a retreat in upstate New York for 2024 and 2025 Milestone grantees to foster community-building. The winners, chosen by an anonymous five-person panel, range in age from 38 to 82 and were selected based on their demonstrated commitment to their respective practices, their unique contributions to their fields, and the consistently high quality of their work.
  

  Read more in ArtForum
  

  
  Post Date: 07-06-2025
  
• Anne Hunnell Chen Receives 2025 ACLS Digital Justice Development Grant
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  Anne Hunnell Chen Receives 2025 ACLS Digital Justice Development Grant

  

  Assistant Professor of Art History and Visual Culture Anne Hunnell Chen.
  

  Assistant Professor of Art History and Visual Culture Anne Hunnell Chen has been awarded an American Council of Learned Societies (ACLS) Digital Justice Grant for the project “Archaeological Archives as Inclusive Learning Laboratories,” one of seven established projects to be awarded the 2025 ACLS Digital Justice Development Grant of up to $100,000. The project focuses on American excavations at iconic sites, like Dura-Europos in Syria, which have shaped Western scholarship, which hardly includes mention of local communities whose labor made these excavations possible. Through oral histories, an enriched dataset, improved browsing interface, and digital training, their work “aims to insert and amplify local Syrian voices, giving communities a platform to share their stories alongside traditional archaeological narratives” and “to rebalance a one-sided history and make digital archives more accessible to a wider range of users.”
  
  The Archaeological Archives project is an expansion of Chen’s International Digital Dura-Europos Archive (IDEA), the first project to use a multilingual Linked Open Data dataset to reassemble and recontextualize institutionally- and disciplinarily-fragmented information descendent of colonially-entangled excavation histories. IDEA, which was funded over three years by the National Endowment for the Humanities, aims to address the dispersal of archival materials across the world by improving access to information for those in different disciplinary and linguistic areas. Its iteration at the Bard Center for Experimental Humanities, called IDEA_Lab@EH, has provided public-facing research opportunities for nearly 50 Bard undergraduates over the past three years. Chen hopes to further extend the impact of IDEA_Lab@EH through virtual learning opportunities throughout the Bard network.
  
  The American Council of Learned Societies (ACLS) recently announced recipients of the 2025 ACLS Digital Justice Grants, which fund digital projects across the humanities and social sciences that critically engage with the interests and histories of people of color and other historically marginalized communities through the ethical use of digital tools and methods. The program is made possible by a grant from the Mellon Foundation.
  

  Read more on ACLS
  

  
  Post Date: 07-02-2025
  
• Wiháŋble S’a Center at Bard College Receives Wagner Foundation Grant
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  Wiháŋble S’a Center at Bard College Receives Wagner Foundation Grant

  

  “Every Wonder in One Spot,” from the project Cosmologyscape by Kite and Alicia B Wormsley. Courtesy the artists and Creative Time
  

  The Wiháŋble S’a Center for Indigenous AI at Bard College has been announced as the recipient of a $93,000 grant from the Wagner Foundation, a nonprofit organization based in Boston. The grant will support the project “Cosmologyscape,” a multi-platform, socially engaged public art initiative co-lead by Wiháŋble S’a Center Director Dr. Suzanne Kite, distinguished artist in residence and assistant professor of American and Indigenous Studies at Bard, and artist and producer Alisha B. Wormsley MFA ’19.
  
  “Cosmologyscape” will launch its next chapter with an exhibition at Wagner in January 2026, and will include features such as Dream Mosaic tiles visualizing collective dreams installed along long gallery walls, a comfortable Dream Office space in which attendees can gather and rest, digital projections showcasing a localized “Boston Dreaming” webpage, and other installations. The project, which solicits dreams from the public that are translated into quilting patterns generated from 26 Black and Lakota symbols, aims to activate rest and dreaming as liberatory acts through sculpture, digital engagement, and community programming.
  
  “This grant affirms that dreaming is a vital, collective act—and that rest, vision, and story are the seeds of real change,” said Dr. Suzanne Kite, director of the Wiháŋble S’a Center. “With support from the Wagner Foundation, ‘Cosmologyscape’ can continue unfolding as a cosmic quilt—each dream a thread, weaving together Black and Indigenous futures across time, land, and memory.”
  
  Wagner Foundation is a Cambridge, MA-based foundation that invests in health equity, economic prosperity, and cultural transformation across the globe. Wagner Foundation prioritizes work that strengthens equitable systems and views artists as leaders and changemakers who are critical voices in interrogating the past, wrestling with the current moment, and envisioning alternative futures. Learn more at wfound.org.
  
  Post Date: 07-01-2025
  
• Coralie Kraft ’13 Interviewed by PBS News About Doomsday Preppers
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  Coralie Kraft ’13 Interviewed by PBS News About Doomsday Preppers

  

  Bard college alumna Coralie Kraft ’13.
  

  Coralie Kraft ’13, visual editor, writer, and Bard College alumna, was interviewed by PBS News about her New York Times Magazine article “The ‘Panic Industry’ Boom,” for which she was also the contributing photo editor. The article and photo essay explored how some Americans are increasingly spending vast amounts of money prepping for doomsday scenarios by building bunkers, bomb shelters, gun rooms, panic rooms and other means of surviving through a collapse. In conversation with Ali Rogin, Kraft discussed her thoughts on why more people are preparing for disasters, the companies that build the structures meant to safeguard their clients, and the mindsets behind those who are preparing for such scenarios. “I think that as more and more people are impacted by things like pandemics, by civil unrest and demonstrations and activism in their cities, by financial collapse as those factors hit a wider and wider population, it makes sense to me that more of us would be interested in this type of, ‘what can I do in the event of a disaster scenario or a doomsday scenario,’” Kraft told PBS.
  

  Watch the Full Interview with PBS
  

  Read Coralie Kraft's Original Article in the New York Times Magazine
  

  
  Post Date: 06-20-2025
  
• Mara Baldwin Awarded Summer 2025 Artist Residency by the McColl Center
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  Mara Baldwin Awarded Summer 2025 Artist Residency by the McColl Center

  

  Mara Baldwin, visiting artist in residence in Studio Arts at Bard.
  

  Mara Baldwin, visiting artist in residence in Studio Arts at Bard, has been awarded a Summer 2025 Artist in Residency by the McColl Center through its Parent and Educator Artist in Residency Program. The internationally acclaimed program by McColl Center, based in Charlotte, North Carolina, aims to serve as a catalyst for artistic growth among creators, and residents are encouraged to immerse themselves fully in research, exploration, and creation, while also engaging with McColl Center’s community and Charlotte’s local creative sector. Baldwin’s multidisciplinary and research-based work uses textiles and drawings to create serial and narrative forms, and focuses on the impossible dream of utopia. While in residency, which takes place from June 3 to August 11, Baldwin joins three other artists, each of whom will construct immersive, hybrid worlds that reflect layered identities and complex truths using diverse practices spanning sculpture, sound, performance, and installation. Baldwin will receive a $6,000 stipend and have access to a private studio space, shared labs and facilities, including a 3D printer Lab, a ceramics and sculpture studio, a darkroom, a media lab, and a woodshop, along with curatorial guidance and marketing support.
  
  Post Date: 06-20-2025